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Appetizer:

"Men occasionally stumble over the truth but most of them pick themselves up and hurry off as if nothing had happened." (a Churchill dictum)
— Robert Littell, The Company



I feel a special sense of gratitude to the graphic artists who create book covers.

The great thing about a distinctive cover on a book I've read is that a single glance can bring vividly back into my consciousness the entire richness of the story it wraps itself around.

When I browse this page, I'm immersed in storytelling, reminded of the wealth that reading has added to my life, left wondering whether any of my most favorite authors have written anything new recently.


Click any cover to jump to the review …


The cover of 365 Views of Mt. Fuji by Todd Shimoda The cover of 1000 Years of Joys and Sorrows by Ai Weiwei The audiobook cover of 1984 by George Orwell displaying an illustration of a stern looking man with a thick, straight mustache dressed in dark clothing and looking straight out at the viewer. The cover of 2034 by Elliot Ackerman and Admiral James Stavridis


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The audiobook cover of Abaddon's Gate by James S. A. Corey showing a variety of spaceships and platforms floating above a planet. The cover of About the Author by John Colapinto The cover of Absolute Friends by John le Carré The cover of An Absolutely Remarkable Thing by Hank Green The audiobook cover of Abundance by Ezra Klein & Derek Thompson showing an Earth globe that is cut in half. Above the lower half is a flat surface that shows an idyllic landscape. On the left are the tall skyscrapers of a city; on the right is a wild scene of trees with a deer and a variety of flying birds. The cover of Accidental Tourist by Anne Tyler The audiobook cover of Adulthood Rites by Octavia E. Butler showing a painting of the face of Akin, a young black male who is the offspring of Lilith and an Oankali visitor, as he is looking to the left; his head is surrounded by what appears to be feathered wings in various soft blue hues. Audiobook cover of Ædnan by Linnea Axelsson showing a scene of a range of rugged mountains rising from valley beneath a cloudy sky. The mountains are partially covered in snow or glaciers. The are colored in unusual hues: the furthest back ones are green, the middle one are blue, and the nearest ones are purple. The cover of The Afghanistan Papers by Craig Whitlock & The Washington Post Jacket artwork by Congolese sculptor Bodys Isek Kingelez Audiobook cover of Africa is Not a Country by Dipo Faloyin featuring a colorful model of a city with a river meandering through it. The model by Congolese sculptor Bodys Isek Kingelez is made of cardboard, paper, tape and other commonplace materials. The audiobook cover of An African History of Africa by Zeinab Badawi: A vividly colorful circular pattern with a black circle in the center upon which the title is displayed in bronze letters. Around that is a green cicle with bronze lines facing outward. Then a red circle with alternating black and white rhombi. Next is a circle of black with thick green borders; at the bottom, the green is solid and the author's name is displayed in white letters. Then a green circle with a bronze outer border, within which are alternating sets of five black lines facing outward and three bronze lines curving around the circle. Finally, there is a circle of white triangles with narrow bases that are facing outward. The cover of An Afro-Indigenous History of the United States by Kyle T. Mays The cover of After Dark by Haruki Murakami The cover of After the Big One by Adam Rothstein The cover of Aftershocks by Colin Kahl & Thomas Wright Audiobook cover of Against All Odds by Ellie Goldstein featuring Ellie smiling with her head titled to right. She is wearing blue eye shadow and a bright red dress. The audiobook cover of The Age of Extraction by Tim Wu showing a stack of seven quarters stacked in a vertical row, each one floating a bit above the one below. Above the top quarter floats a rainbow colored square with curved corners that is the same thickness as a quarter. The cover of The Age of Selfishness by Darryl Cunningham Audiobook cover of The AI Con by Emily M. Bender and Alex Hanna: on a plain white background, the title is displayed in very large, very bold capital letters. The words THE and CON are black, while AI is a bright red, perhaps to indicate alarm. An illustration of a turtle appearing to balance on its rear legs and tail on red rocks with its head and front legs reaching up into the sky. The turtle's shell is like a donut, open in the very center and split into four quarters of colors: white, blue, red, and tan. This illustration is explained futher at the end of the book review. Audiobook cover of All Systems Red by Martha Wells showing a bot in heavy armor and a helmet with a shaded front plate is standing in what looks like a forest in a dome. The cover of All that She Carried by Tiya Miles The cover of All Tomorrow's Parties by William Gibson The cover of Allow Me to Retort by Elie Mystal The cover of Almanac of the Dead by Leslie Marmon Silko The cover of Altered Carbon by Richard K. Morgan The cover of Always Outnumbered, Always Outgunned by Walter Mosley The cover of Ambient Findability by Peter Morville The book cover of America, América by Greg Grandin featuring a detail from the painting Unión de la Expresión Artistica del Norte y Sur de este Continente (The Marriage of the Artistic Expression of the North and of the South on this Continent), also known as Pan American Unity by Diego Rivera, 1940. The colorful painting detail is from the lower portion of section 2 of the mural, the "great liberators", and includes, among others, cloth weavers, potters, builders, painters (Diego Rivera himself is featured painting a mural), basket weavers, and other artisans, as well as several leaders of various American countries. The cover of American Dirt by Jeanine Cummins The cover of The American Heritage Dictionary of the English Language The cover of American Kleptocracy by Casey Michel The cover of American Reboot by Will Hurd The audiobook cover of American Reich by Eric Lichtblau: beneath a ominously dark red, smoky, nighttime sky, a bunch of backlit men are seen standing and giving the nazi salute. The cover of Ammonite by Nicola Griffith The cover of Amnesia Moon by Jonathan Lethem The cover of Anathem by Neal Stephenson The audiobook cover of Animal Farm by George Orwell displaying an illustration of an upright pig in a dark brown military uniform carrying a sharply pointed pitchfork and with an agressive look on its face. The cover of The Anomaly by Hervé Le Tellier The cover of Another Day of Life by Ryszard Kapuściński The cover of The Antelope Wife by Louise Erdrich The cover of The Antidote by Oliver Burkeman The cover of Antitrust by Senator Amy Klobuchar The cover of An Apache Original by Solidod The cover of Apocalyptic Planet by Craig Childs The cover of The Archive of Alternate Endings by Lindsey Drager Book cover of Archipelago by H R Hawkins showing a large orange gas giant planet floating in the sky above a landscape of forested hills interspersed with lakes and waterways. The cover of The Art of Possibility by Rosamund Stone Zander and Benjamin Zander The audiobook cover of The Art of Thinking Clearly by Rolf Dobelli displaying the title in the center in large black text, except for the word Thinking, which is red and upside down. Audiobook cover of Artificial Condition by Martha Wells showing a heavily armored figure standing on some kind of metal platform surrounded by orange-hued smoke and with a heavily armed spaceship hovering above. The cover of As She Climbed Across The Table by Jonathan Lethem The cover of The Ash Garden by Dennis Bock The cover of ASP in a Nutshell by A Keyton Weissinger The cover of Assasination Vacation by Sarah Vowell The cover of The Assassins' Gate: America in Iraq by George Packer The cover of The Athenian Murders by José Carlos Somoza The cover of Attack Surface by Cory Doctorow The cover of Atticus by Ron Hansen Audiobook cover of Autobiography of Cotton by Cristina Rivera Garza: A vivid watercolor illustration of a blooming, healthy looking cotton plant with green leaves, deep purplish brown buds and white puffs of cotton seeds is shown in front of an actual photo of a drought devastated field. Audiobook cover of Autocracy, Inc. by Anne Applebaum showing a flat perspective of a very dim view of the continents of Earth arranged vertically, against a very dark green, almost black background.


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The cover of The Back Channel by William J. Burns The cover of The Backstreets by Perhat Tursun The cover of Background to Danger by Eric Ambler The cover of Bangkok 8 by John Burdett The cover of Banker to the Poor by Muhammad Yunus The cover of The Beast by Óscar Martínez The cover of Beasts of No Nation by Uzodinma Iweala The cover of Beautiful Evidence by Edward R. Tufte The cover of Beautiful Ghosts by Eliot Pattison The cover of The Beauty and the Sorrow by Peter Englund The cover of Becoming by Michelle Obama The cover of Book cover of Becoming Kin by Patty Krawec featuring colorful beadwork by Giniw Paradis of what looks to me to be a brown and turquoise acorn surrounded by various leaves and flowers The audiobook cover of A Beginner's Guide to the End by BJ Miller, MD & Shoshana Berger showing what looks to be a stack of six rocks balancing in a stack, though they are rendered in pastel water colors that don't look totally solid. The audiobook cover of Being Jewish After the Destruction of Gaza: A Reckoning by Peter Beinart showing the title and author's name overlaid on what appears to be a slab of patterned, tan-colored rock. The cover of Being Seen by Elsa Sjunneson The cover of Bel Canto by Ann Patchett The book cover of Better the Blood by Michael Bennett featuring a koru—an inward-turning spiral that is used in Tā Moko, traditional Māori tattoos—drawn in blood red on a black background. The cover of Between the World and Me by Ta-Nehisi Coates The cover of Bewilderment by Richard Powers The cover of The Big Killing by Robert Wilson The cover of Big Machine by Victor LaValle The cover of The Big Sleep by Raymond Chandler The cover of A Bigger Picture by Vanessa Nakate The cover of The audiobook cover of Bila Yarrudhanggalangdhuray by Anita Heiss showing the author's name and title in the center displayed over a photo depicting Bila Yarrudhanggalangdhuray, the River of Dreams, a beautiful river whose dark blue mirror surface reflects the river banks and trees on either side and the white cockatoo birds flying over the river. Above, a faint drawing by Luke Penrith from Brungle of the gugaa [lizard totem], which is displayed in a light blue pattern with a long curling tail against a deep blue sky full of stars. Audiobook cover of Black AF History by Michael Harriot showing the painting of the Signing of the Declaration of Independence, July 4th, 1776 by John Trumbull, with added red labels pointing to various participants as Human Traffickers, Mediocre, Just Rich AF, a couple as Petty Thiefs, and one as a Drug Smuggler. Audiobook cover of Black Hole Survival Guide by Janna Levin showing a small person in a white spacesuit floating next to a black hole that is itself floating in nearly black space. The cover of Black Klansman by Ron Stallworth The audiobook cover of Black Summer by M.W. Craven: a sky full of dark, blood red clouds is being sliced by a curved, bloody knife. The cover of The Black Swan by Nassim Nicholas Taleb The cover of Black Wave by Kim Ghattas The cover of A Black Women's History of the United States by Daina Ramey Berry and Kali Nicole Gross The cover of Book cover of Blanket Toss Under Midnight Sun by Paul Seesequasis showing two Indigenous women, one wearing a shawl made of red Tartan material in which she is carrying her child in the front of her, the other wearing a white woolen coat with a large hood trimmed in black fur in which she is carrying her child on her back. The cover of Blindsight by Peter Watts The cover of Blink: The Power of Thinking Without Thinking by Malcolm Gladwell The audiobook cover of Blood Relay by Devon Mihesuah. The background is almost totally black except for a sliver at the top above which is a rising sun and a the outline of tree, suggesting the black portion is underground. Superimposed on the background is the outline of the back of a woman, colored in blood red, with her head emerging above the surface of the underground and white hair with a long braid running down her back. Her outline also suggests an underground cavern. At the bottom are small figures of five people racing horses. The cover of Bluebeard by Kurt Vonnegut The cover of Blue Light by Walter Mosley Book cover of The Blue Machine by Helen Czerski showing a colorful illustration of a gigantic, frothing, blue ocean wave curling over at the top, set against a light peach-colored sky. The cover of Blue Mars by Kim Stanley Robinson The cover of Blues for the Buffalo by Manuel Ramos The cover of The Body by Bill Bryson The audiobook cover of Bomber by Len Deighton showing a British WWII bomber and a smaller fighter plane flying overhead and two bombs falling from the bomber. The cover of The Bondwoman's Narrative by Hannah Crafts depicting an aged tan cover of a manuscript bound with a length of twine. The cover of The Book by Alan Watts The audiobook cover of The Book of Hope by Jane Goodall showing her sitting in front of a dimmly lit area of greenery, perhaps where she studied chimpanzees. Her head is turned to the left so that she is looking directly into the camera with her deeply penetrating eyes. The cover of Book of JavaScript by thau! The cover of The Book of Koli by M. R. Carey The cover of Booked to Die by John Dunning The audiobook cover of The Bookseller by Tim Sullivan showing the back of a man standing with his arms crossed between two rows of messily stacked books reaching up to his elbows with bookshelves behind each row, all of it stretching far down a long aisle. The cover of Born on a Blue Day by Daniel Tammet The audiobook cover of The Botanist by M.W. Craven: a long, dimly lit stairway with rough hewn stone walls leads up to a brightly lit exterior doorway surrounded by vines. The cover of The Botany of Desire by Michael Pollan Audiobook cover of The Boy, the Mole, the Fox and the Horse by Charlie Mackesy: in hand-drawn black ink with thick lines, the title is displayed above and a drawing of a fox, a boy, a mole, and a horse sitting around a radio is displayed below. The cover of Audiobook cover of The Boys in the Boat by Daniel James Brown The cover of Braiding Sweetgrass by Robin Wall Kimmerer The cover of Brain Rules by John Medina The cover of Break 'Em Up by Zephyr Teachout The cover of Breakfast of Champions by Kurt Vonnegut The cover of Breakfast with Buddha by Roland Merullo The cover of Breakfast with Seneca by David Fideler Audiobook cover of Breaking Through by Katalin Karikó showing a collage along the left side of Karikó in her lab, a half facial picture of her as an adult, a picture of her mother, father, sister and her standing in a lake when she was a chile, and slices of a couple different official documents as well as the numbered caps of test tubes used in experiements. The cover of Breath by James Nestor The cover of Bridge to the Sun by Bruce Henderson The cover of A Brief History of Black Holes by Dr. Becky Smethurst The cover of A Briefer History of Time by Stephen Hawking with Leonard Mlodinow The cover of Bright-sided by Barbara Ehrenreich The cover of The Broken Shore by Peter Temple The cover of Brown-on-Brown by Manuel Ramos The cover of Building 46 by Massoud Hayoun The audiobook cover of Bullet Train by Kotaro Isaka: against a black background, the red rings of a target are displayed. Across the white center, a ladybug is crawling. Audiobook cover of By the Fire We Carry by Rebecca Nagle: a deep red-tinted and darly somber view of prarie with hills rising beyond and a cloudy sky above. The cover of By the Light of My Father's Smile by Alice Walker


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The audiobook cover of Cahokia Jazz by Francis Spufford: against a red background a page of paper is split into three horizontal pieces. The center piece is shaped like a bowtie and shows brown hands playing a piano and reflected in the shiny wood behind the keys. The top slice is light tan and displays the title in black. The bottom slice is black and shows the author's name in light tan. The cover of The Calcutta Chromosome by Amitav Ghosh The audiobook cover of Caliban's War by James S. A. Corey showing a large spaceship orbiting a moon that is covered with domes, some of which are on fire. The cover of The Caliph's House by Tahir Shah Audiobook cover of Calling Bullshit by Carl T. Bergstrom & Jevin D. West presenting the words CALL ING BULL SHIT in very large, bold,black letters against a vivid yellow background. In the center is a big blob of deep pink paint as if it had been thrown at the cover. The paint is splattered over the cover and dripping down. In the center of paint, the book's title and subtitle are displayed in a white font. The cover of The cover of Calling for a Blanket Dance by Oscar Hokeah. According to the author, the cover is an "image that conveys perfectly the post-modern fracture experienced by the main character, Ever Geimausaddle, and his resilient trek through the process of decolonization." It shows a Native American man's head. The head is hollow and the face is broken away from the rest of the head in two pieces: the right eye and forehead is one piece, and the left eye, nose, mouth, and chin is the other piece. Out of the top of the head emerge crumpled dollar bills. Again from the author: "Those of us who engage in traditional gourd dances know that a crumpled dollar bill dropped at the feet of a dancer signifies a process of honoring." There is a sash of the colors that Kiowa (red) and Comanche (navy blue) dancers wear coming out of the head, the tassled ends of which, one blue and one red, hang behind and below the head. From the author: "With the sash coming down, I knew this honor was inextricably tied to his family and his community." The background is a bold orange beneath a grid of dark orange dots representing one of the quilts in the story. Audiobook cover of Careless People by Sarah Wynn-Williams showing a blue mouse pad with a shark fin sticking up from up. The cover of The Cartel by Don Winslow The cover of The Cartoon Guide to Physics by Larry Gonick & Art Huffman The hardbound book cover of Carved in Blood by Michael Bennett: in a deep red sea, the outline of a fierce shark swims. It is covered in what appear to be Māori tattoos. The cover of The Case Against Reality by Donald Hoffman The audiobook cover of Caste by Isabel Wilkerson based on a photo by Bruce Davidson of a large crowd of people, Black and White, men and women, looking as if it is from the 1950s or 1960s, perhaps from a civil rights gathering. The cover of Cat's Cradle by Kurt Vonnegut The cover of Cause for Alarm by Eric Ambler The audiobook cover of Chain of Ideas by Ibram X. Kendi: Against a deep red background the author's name and the title and subtitle are displayed in black block letters. The second line of the title shows the word OF,but the O looks like a solid black ball that has bumped into the F, which is tipping forward and is causing a chain of five dominoes to be tipping over. The cover of Charlie Wilson's War by George Crile The cover of The Children of the Anthropocene by Bella Lack The cover of Children of the Land by Marcelo Hernandez Castillo The cover of Children of Time by Adrian Tchaikovsky The cover of China Airborne by James Fallows The cover of China Road by Rob Gifford The cover of Chokepoint Capitalism by Rebecca Giblin & Cory Doctorow The cover of The Cider House Rules by John Irving The cover of The Circle of Reason by Amitav Ghosh The cover of City of Orange by David Yoon Audiobook cover of City on Fire: A Novel of Hong Kong by Simon Elegant. Against a black background is shown what appears to me to be the outlines of buildings and streets seen from above. Huge, deep red flames are shooting across the image. Cover of City Under One Roof by Iris Yamashita showing a distant multi-story building across the ice of a bay with mountains beyond. There is a hole in the ice with cracks radiating out from it. The audiobook cover of The Climate Book by Greta Thunberg. Against a black background, the books title and author are displayed in large block capital letters. The letters are colored with vertical stripes showing the progressive rise in global temperatures each year. Starting in 1634 on the left, the stripes are dark ice blue, indicating cooler years. By the time they reach 2021 on the right, they are deep fire red, indicating the rapid heating of our planet. The cover of Citzen Vince by Jess Walter The cover of A Closed and Common Orbit by Becky Chambers The cover of Cloud Cuckoo Land by Anthony Doerr The cover of The Cold Millions by Jess Walter The cover of Cold Mountain by Charles Frazier Cover of Cold Water by Dave Hutchinson. The top half shows a tilted view looking up a dark escalator with glass sides. At the top is the silhoutte of a woman, and beyond, the hazy outlines of skyscrappers bathed in a light yellow-gold light. The bottom half shows the entire scene mirrored upside down. The title is displayed across the center in white capital letters. The audiobook cover of Colonyside by Michael Mammay showing a futuristic all-terrain vehicle driving through a dense alien jungle. Audiobook cover of The Coming Wave by Mustafa Suleyman with Michael Bhaskar displaying the title of the book in large black block letters against a colorful luminous background with rays of white light radiating outward from the center. The cover of The Company of Strangers by Robert Wilson The cover of Critical Race Theory: An Introduction by Richard Delgado and Jean Stefancic The cover of Crow Planet by Lyanda Lynn Haupt The cover of Consider Phlebas by Iain M. Banks The cover of The Constant Gardener by John le Carré The cover of The Constant Gardener by John le Carré The cover of Contact by Carl Sagan The cover of Core CSS by Keith Schengili-Robers The audiobook cover of The Correspondent by Viginia Evans showing two little orange breasted songbirds standing on two fence posts that are a few inches apart and facing each other. The cover of Cosmos by Carl Sagan The cover of Coyotes by Ted Conover The cover of The Coyotes of Carthage by Steven Wright The cover of Cradle to Cradle by William McDonough & Michael Braungart The cover of Crashing Through by Robert Kurson The cover of James M. Cain, The Postman Always Rings Twice The cover of Cryptonomicon by Neal Stephenson The audiobook cover of Cuckooland by Tom Burgis: against a black background is the bright green outline of a smiley face emoji, only the eyes are dollar signs and a tongue is sticking out of the mouth with another dollar sign on it. The audiobook cover of The Curator by M.W. Craven: a rowboat is pulled up on a beach. Beyond is a small body of water, and beyond that a desolate island with a lone house on a shallow hill. The sky above is cloudy, and then ominously black above. The cover of The Curious Incident of the Dog in the Night-Time by Mark Haddon The audiobook cover of The Cyclist by Tim Sullivan showing the black outline of a man in an overcoat stepping up the last step of a dimmly lit walkway with a hazy, blue lit trees beyond.


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The cover of Dance Dance Dance by Haruki Murakami The cover of The Dancer Upstairs by Nicholas Shakespeare The cover of Dangerous Love by Ben Okri The cover of A Dangerous Road by Kris Nelscott The cover of The Dark Forest by Cixin Liu The cover of Dark Money by Jane Mayer The audiobook cover of Dark Wire by Joseph Cox showing what appear to be a variety of red audio waves crossing the tan cover, some larger, others smaller. I suppose they represent tapped audio messages, though the main focus of the story is actually tapped text messages. The cover of Database Design for Mere Mortals by Michael J. Hernandez The cover of The Daughters of Kobani by Gayle Tzemach Lemmon The audiobook cover of Dawn by Octavia E. Butler showing a painting of the face of Lilith Iyapo, a young Black woman, as she is looking to the right; her head is partially wrapped and is surrounded by what appears to be beautiful flowing patterned cloth in red, green, and gold colors. The audiobook cover of Dead Ground by M.W. Craven: a long, thin, dark corridor lined with thin, circular columns. At the end of the corridor is steel door with a circular lock handle. The cover of Death of a Red Heroine by Qui Xiaolong The cover of The Death of a Soldier Told by His Sister by Olesya Khromeychuk, in the colors of the Ukrainian flag. On a rich yellow background is the blue outline of a bird diving down. Within that outline can be seen the face of a man looking upward with a cigarette in his mouth next to the smiling face of a woman who is leaning into him and looking directly at the camera. The audiobook cover of The Death of Ivan Ilyich by Leo Tolstoy: Against a sage green background, some old, yellowed playing cards are scattered. The cover of Death's End by Cixin Liu The cover of December 6 by Martin Cruz Smith The audiobook cover of Deepfakes by Nina Schick showing five vertical slices of a person's open mouth. The lowest slice is so highly pixelated as to be unrecognizable, but each slice above it becomes clearer and clearer until that top slice shows the teeth and lips clearly. In each open mouth is displayed the words of the title and the author's name. Audiobook cover of Defying Hitler by Sebastian Haffner: on a very old looking background of faded parchment, a photo of the author as a young man is displayed. He is sitting scrunched over with his left arm across his knees and his chin buried in his right hand, with his right elbow balancing on his right leg. He looks thoughtfully despondent. Book cover of The Deluge by Stephen Markley showing sunlit blue sky with a few whispy clouds and a big rip running down the top half of the sky. The cover of Democracy Awakening by Heather Cox Richardson Showing the raised hand of the Statue of Liberty holding the torch and lit in the colors of a sunrise from orange and yellow at the base to various shades of blue above. Audiobook cover of The Demon-Haunted World by Carl Sagan showing an illlustration of candle casting light into a dark space. The audiobook cover of The Dentist by Tim Sullivan showing the dark outline of the back of a man standing on a wet shoreline and looking out at a dimly lit body of water, perhaps a wide river or a bay, across which a long bridge crosses. The audiobook cover of The Descent by Paul E. Hardisty: against a background of flames in hues or red to dark red over which a white circle is displayed with yellow flames risign from it, like a burning match head. Within the white circle is the black outline of a group of people, looking like four adults and five children. The cover of Desert Star by Michael Connelly The cover of Design and Form by Johannes Itten The cover of Design for Community by Derek M. Powazek The cover of Designing Web Navigation by James Kalbach The cover of Designing with Web Standards by Jeffrey Zeldman The cover of Destination Mecca by Sayed Idries Shah The cover of Destroyer of Light by Jennifer Marie Brissett The cover of Devil in a Blue Dress by Walter Mosley The cover of The Devil's Dictionary by Steven Kotler The cover of The Devil's Highway: A True Story by Luis Alberto Urrea The cover of Cover of the original Japanese edition of The Devotion of Suspect X by Keigo Higashino The cover of The Dew Breaker by Edwidge Danticat The cover of The Diamond Age by Neal Stephenson Audiobook cover of Diary of an Invasion by Andrey Kurkov that features a hugely popular Ukrainian postage stamp showing a Ukrainian soldier standing on the shoreline of Snake Island and raising his middle finger toward a nearby Russian warship that was threatening the Ukrainian island on day one of Russia's full-scale invasion. Audiobook cover of The Dictionary of Lost Words by Pip Williams showing the title rising up as individual words rising up out of a trunk in front of winding tan vines with leaves superimposed over a black background. The cover of Digging to America by Anne Tyler The cover of Dignity in a Digital Age by Ro Khanna The cover of Directorate S by Steve Coll The cover of The Disappearing Body by David Grand The cover of The Discrete Charm of Charlie Monk by David Ambrose The cover of Disgrace by J.M. Coetzee The cover of Do Androids Dream of Electric Sheep? by Philip K. Dick Audiobook cover of The Dogs of Riga by Henning Mankell. Under a partly cloudy evening sky and across a body of water, a city is seen, presumably, Riga, Latvia, with its lights reflected in calm waters. The cover of Doing Justice by Preet Bharara The cover of Don't Make Me Think: A Common Sense Approach to Web Usability by Steve Krug The cover of The Door to Bitterness by Martin Limón Audiobook cover of Doppelganger by Naomi Klein showing an image of her face that has been digitally altered. The image is composed of scores of horizontal slices that don't quite line up, and the coloration also has been altered. Audiobook cover of Doughnut Economics by Kate Raworth showing the book title, subtitle and author's name as if written by hand on a chaulk board. In the lower right, there is a drawing of the outline of a doughnut with colored sprinkles. The cover of A Down Home Meal for These Difficult Times by Meron Hadero The cover of Down and Out in the Magic Kingdom by Cory Doctorow The cover of Down River by John Hart The cover of The Draining Lake by Arnaldur Indriðason The audiobook cover of The Dream Hotel by Laila Lalami: in a purple wall, a large rectangular red hallway opens, leading into darkness. In the lower right of the hallway is the outline of a person standing and looking out from the hallway. The cover of Driving Mr. Albert by Michael Paterniti The book cover of The Drone Eats with Me by Atef Abu Saif. Against a background that looks like a rain of falling rubble, high in the upper right the shadow of a drone in the sky can be seen, while in the lower left, the darkened outline of a man and a child can be seen looking out from a balcony. The cover of Drunk on All Your Strange New Words by Eddie Robson The cover of Ducks: Two Years in the Oil Sands by Kate Beaton The cover of Dynamics in Document Design by Karen A. Schriver


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Audiobook cover of E=mc² by David Bodanis showing the formula/title is very large letters and a small, circular photo of a young Einstein. The cover of E=mc²: A Biography of the World's Most Famous Equation by David Bodanis The cover of Eating Animals by Jonathan Safran Foer The cover of Easter Island by Jennifer Vanderbes The cover of Eat the Buddha by Barbara Demick The cover of Eat the Document by Dana Spiotta The cover of The Echo Maker by Richard Powers The cover of The Echo Maker by Richard Powers The audiobook cover of The Edge of Space-Time by Chanda Prescod-Weinstein: An illustration fills the center of the cover. It is split into two halves. The left half in black rectangle within which is have of a circle of hand-drawn thick white circles. The right half completes the left circle, but it is solid, like a planet, in a spectrum of colors from red at the top to orange, then yellow, and finally green at the bottom The audiobookcover of The Edge of the Sea by Rachel Carson: shows a large body of water breaking against a shoreline, where the water turns white and foamy, and above which is a sky partially filled with clouds. The cover of The Effect of Living Backwards by Heidi Julavits The cover of Eifelheim by Michael Flynn Audiobook cover of Einstein: A Life in Science by Michael White and John Gribbin showing a pen and ink drawing of Einstein in his later years with long white hair and a big white mustache. The drawing is split into pieces. The left side of his face is lightly shaded and the sketch is simpler. The right side of his face is more darkly shaded and the sketch is more complex. Cover of the original edition of Einstein on Race and Racism by Fred Jerome and Rodger Taylor showing a starkly black and white image of Einsteing's head and right shoulder in the lower left, and the title above and to the right in capital letters. The cover of The Elements of Typographic Style, Second Edition by Robert Bringhurst The cover of The Elephant Vanishes by Haruki Murakami The cover of Ella Minnow Pea by Mark Dunn The cover of Elon Musk by Ashlee Vance The cover of The Emperor: Downfall of an Autocrat by Ryszard Kapuściński The cover of Empire Falls by Richard Russo The audiobook cover of Empire of AI by Karen Hao: The background is a soft and hazy vertical rainbow of colors, beginning with a light violet on the left that fades into a light blue and then light orange in the center, and finally into a stronger red on the right. In the center a circle that encloses about two-thirds of the book is cut out, as if the rainbow is on a thick piece of paper. Behind it, as if on another piece of paper, is the same range of colors and the title and author's name in big, bold, black letters, with the subtitle in smaller black letters between. The cover of Empire of the Sun by J. G. Ballard The cover of The End of Everything by Katie Mack The cover of The End of the Ocean of Maja Lunde The cover of Ender's Game by Orson Scott Card The cover of The Ends of the World by Peter Brannen The audiobook cover of The Enigma Girl by Henry Porter showing a blonde women wearing a raincoat and looking at her phone screen as she walks through Milton Keynes Rose park under a cloudy and foreboding sky. The audiobook cover of Enshittification by Cory Doctorow: against a black background, a poop emoji is displayed with googly eyes and in place of the mouth a series of characters suggesting swearing. The title, subtitle and author's name are displayed in white text. The cover of Entangled Life by Merlin Sheldrake The audiobook cover of Erasing History by Jason Stanley: on a plain light yellow background, the title of the book is displayed in bold, black, capital letters. Beneath it, the subtitle is displayed in red letters; however, it is written as if the words are what is left over from a longer phrasse that has been heavily redacted with black marker lines obscuring many words. The cover of The Escape Artist by Jonathan Freedland The audiobook cover of Esperance by Adam Oyebanji. The left quarter of the cover is looking into black space with some small stars. At the top floats a small blue planet. The right three-quarters of the cover is a deep red. Emergening from the deep space and across the red is the black outline of an insect-shaped drone with glowing blue eye, but the stars of space can be seen through it. A tiny sailing ship is floating vertically on the surface of the red space just beneath the body of the drone. The cover of The Essential Kerner Commission Report, edited and introduced by Jelani Cobb with Matthew Guariglia The cover of Europe in Autumn by Dave Hutchinson showing, in shades of burnt orange, a man's face with eyes in shadow surrounded by circles of railroad tracks and hovering above a sunset setting over a far horizon. The cover of Europe at Dawn by Dave Hutchinson showing in shades of dark red a train approaching with the sunrise behind with the heads of four people hovering above, a man, two women, and another man, surrounded by circles of railroad tracks. The cover of Europe at Midnight by Dave Hutchinson showing, in shades of dark blue, a backlit train entering the far end of a tunnel between the head of a man and a woman, each looking off to one of the sides, surrounded by circles of railroad tracks. The cover of Europe in Winter by Dave Hutchinson showing, in shades of white and gray, a train running across a winter landscape with three faces looking out below, a woman and two men, surrounded by circles of railroad tracks. The cover of The book cover of The Evening Hero by Marie Myung-Ok Lee showing the title and author's name over a stylized background that looks like a multi-forked amber-colored river flowing down over a mostly light peach plain with areas of darker peach and green at the edges. The audiobook cover of An Event in Autumn by Henning Mankell showing the author's name and book title superimposed over a black and white closeup of the cracked and aged skin of the palm of a hand. The cover of Ever Green by John W. Reid & Thomas E. Lovejoy The cover of The book cover of Eversion by Alastair Reynolds. The background is an image of a galaxy floating in deep space. The galaxy is separated into three circular pieces, defined by an inner circle surrounded by an inner and outer ring. Each piece is rotated so that each portion of the galaxy is seen from a different perspective. The cover of The Every by Dave Eggers Audiobook cover of Everyone Knows But You by Thomas E. Ricks showing a rocky crag with a few pine trees on top that is jutting out into the Atlantic Ocean beneath a big hazy blue sky. The scene has a sense of ruralness. The cover of Everything is Illuminated by Jonathan Safran Foer The cover of Everything is Illuminated (film) by Liev Schreiber The audiobook cover of Everything Is Tuberculosis by John Green: against a rich yellow background, the title is shown in capital letters at the top. In the center is what looks like a petri dish filled with an orange fluid in which swim many little organisms. The tip of a green cone begins beneath the C in Tuberculosis and epands to the size of the petri dish. The author's name is below the petri dish. The audiobook cover of The Everything War by Dana Mattioli: the title is displayed on a black background; The Everything in white letters and WAR in the orange that Amazon uses for its logo. The A in WAR is made from the tip of the Amazon logo's swooping arrow. The rest of the swoop in cracked and breaking. Audiobook cover of Except for Palestine by Marc Lamont Hill & Mitchell Plitnick. On a plain white background, the title, subtitle, and authors' names are presented in black text. A black bar starts on the left and slopes across and downward between the title and subtitle about 2/5s of the way across the cover. A red trianglular arrow is situated on the left side between the subtitle and authors' names. A green bar starts on the right and slopes across and downward between the subtitle and authors' names. The cover of Executed by Sylvain Neuvel The cover of The Exile by William Kotzwinkle Audiobook cover of Exit Strategy by Martha Wells showing a heavily armored figure running on a cargo spaceship docked to a space station, with a sky full of stars above. The audiobook cover of Exordia by Seth Dickinson rendered in tones of mainly bright yellow, but also reds and dark reds showing a round eye looking straight out. The eye is at the end of a serpentine stalk and many serpent coil surround it. The audiobook cover of Exposure by Ramona Emerson showing a woman walking away on a dark street that is partially lit from above by a streetlight revealing a very chilly looking snowy winter scene. The entire scene is superimposed over a 10-22mm camera lens. The cover of Extracted by Sylvain Neuvel The cover of Extremely Loud & Incredibly Close by Jonathan Safran Foer The audiobook cover of Extremophile by Ian Green showing a colorful, fairly insane drawing that reflects the story itself. Large white capital block letters of the title, three per row (EXT REM OPH ILE), are displayed intertwined with a large green serpent coiling up the drawing around a red and orange DNA double helix strand, with the head and part of the neck of an orange guitar sticking up on the lower right side, a blue zodiac chart peeking out from behind the lower left, and with a large orange-handled, blue-bladed knife plunging right down the center of it all. Three yellow dandelion seed heads on blue stalks are sticking up around the image, and a bunch of individual dandelion seeds are floating around.


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The audiobook cover of Faceless Killers by Henning Mankell. On a dimly lit overcast winter day, a farmhouse and barn can be seen across a snowy field. The cover of Derrick Bell The cover of Facing the Mountain by Daniel James Brown The cover of Facts and Fears by James R. Clapper The cover of Falling Man by Don DeLillo The cover of The Famished Road by Ben Okri The cover of Farewell, My Lovely by Raymond Chandler The cover of The Farming of Bones by Edwidge Danticat Audiobook cover of Fear Is Just a Word by Azam Ahmed showing a view through a car's side window from within a darkened car of a row of store fronts with a dog running across the roof. Audiobook cover of The Ferryman and His Wife by Frode Grytten: a small ferry boat makes it way across a red-tinged fjord towards light tan hills with mist-hidden darker tan hills beyond, and with a sky above in hues of light tan. Superimposed over it all is the transparent upper half of a woman with a black dress and bright red hair that sweeps across her hidden face. The cover of A Field Guide to Reality by Joanna Kavenna The cover of Fierce Invalids Home From Hot Climates by Tom Robbins The audiobook cover of The Fifth Woman by Henning Mankell - a view of a bunch of crows flying in an overcast sky above Ystad, Sweden. The audiobook cover of Fight Oligarchy by Bernie Sanders. The top third of the cover is a light-blue tinted photo of Senator Sanders standing in front of a crowd of people, learning forward toward the podium with his right arm stretched up and finger pointing upward. The bottom two-thirds is the title and author's name is bold red print over a light yellow background. The audiobook cover of The Final Vow by M.W. Craven: looking down a walkway with pews on each side in a dimly lit church. At the end of the walkway is an arched doorway. One half of the door is open inwards giving a glimpse of the brightly lit exterior. The cover of Finding the Mother Tree by Suzanne Simard The cover of A fine line by Hartmut Esslinger The cover of Firebreak by Nicole Kornher-Stace The audiobook cover of Firefly by Henry Porter: against a background that is divided by an X with black in the top and bottom wedges and red in the right and left wedges is the head and shoulders of boy facing forward, also completely in the dark except that he is lit from behind so there is a faint white outline and his ears are glowing red. The faint red crosshair of a rifle scope is centered on his hidden face and forms a red circle around his head. The audiobook cover of Firewall by Henning Mankell - a partially blurred view of a yellow taxi station wagon speeding along a dimly lit road. The cover of First, Break All the Rules by Marcus Buckingham & Curt Coffman The cover of The book cover of Five Little Indians by Michelle Good. Three birch tree trunks frame both the left and right sides. The background is split in the middle horizontally. The top is black with the lower half of red moon above and the book title in block white letters below it. The lower half is white with five upside down children outlined in black walking along on the black edge of the top. The authors name is in block red letters below the children. The cover of Flash Boys by Michael Lewis The audiobook cover of Flatland by Edwin A. Abbott showing several line drawings on flat pieces of paper of what appears to be a person, the pieces are piled on top of each other creating a confused image. The cover of Flight by Sherman Alexie The cover of Flint by Paul Eddy The audiobook cover of Fluke by Brian Klaas. Against a bright yellow background, the word FLUKE is printed in bold black capital letters at the bottom center of the cover. However, the U in FLUKE is red on the left side and green on the right side, and the thick lines extend upward towards the top of the cover where the red line veers to the left across the top and then points downward on the left side, ending in an arrow that points down. By contrast, about a quarter of the way up, the thick green line has a red line that veers off of it to the right, which then zig-zags until it ends in an arrow that points right; a light green line veers off to the left about two-fifths of the way up the thick green line, then crosses under the red line created by the left side of the U before it points upwards until it ends in an arrow that points up; an orange line veers off to right about three-quarters of the way up the thick green line, then points downward until it ends in an arrow that points down. Finally, the green line veers to the right across the top of the cover until it ends in an arrow that points right. The cover of Book cover of Follow the Rabbit-Proof Fence by Doris Pilkington | Nugi Garimara showing three young girls in ragged clothes walking away into a sandy desert landscape that stretches as far as can be seen, with a pale blue sky crossed by wispy clouds above. The cover of Fooled by Randomness by Nassim Nicholas Taleb The audiobook cover of The Forcing by Paul E. Hardisty: over a background of cracked orange, the outline of pale tan hand is displayed. Within the hand can be seen the black outline of a large crowd of people. The Descent has a background of flames in hues or red to dark red over which a white circle is displayed with yellow flames risign from it, like a burning match head. Within the white circle is the black outline of a group of people, looking like four adults and five children. The cover of Forty Days without Shadow by Olivier Truc The cover of Four Hundred Souls edited by Ibram X. Kendi & Keisha N. Blain The cover of Four Souls by Louise Erdrich The cover of Four Treasures of the Sky by Jenny Tinghui Zhang The cover of The Fourth Treasure by Todd Shimoda The cover of Freakonomics by Steven D. Levitt and Stephen J. Dubner The cover of Frederick Douglass: Prophet of Freedom by David W. Blight The cover of Frequently Asked Questions about the Universe by Jorge Cham & Daniel Whiteson Audiobook cover of Fugitive Telemetry by Martha Wells showing a heavily armored figure standing in front of a much larger, multi-armed, insect-like bot in a large hall. The audiobook cover of The Future Is Peace by Aziz Abu Sarah & Maoz Inon: a view from within a dark corridor looking out at a narrow, partially sunlit stone passageway with gradually rising steps and old city stone buildings rising a few stories on each side. The audiobook cover of The Future of Truth: How AI Reshapes Reality by Steve Rosenbaum: against a light red background with lots of dark red lines crisscrossing and meeeting at points identified with numbers and letters, a view of what looks like the statue The Thinker by Auguste Rodin is displayed. The head, leaning on the right forearm that is balanced on the right knee, and the left forearm are rendered in what looks like marble, but the rest of the statue of the sitting person who is leaning foreward is made up of a tapestry of crisscrossing lines that delineate polygons of various shapes that display various patterns rendered in various colors. The cover of Futureland by Walter Mosley


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Audiobook cover of Gabriel's Moon by William Boyd: triangular fragments of various shapes and sizes in varying hues and shades of red align, intersect, and overlap. In the center in a circle of white, as if in the light of a spotlight, stands the outline of standing man casting a shadow. The cover of Gain by Richard Powers The cover of Galatea 2.2 by Richard Powers The cover of Gamechanger by L.X. Beckett The cover of The Gates of Europe by Serhii Plokhy Audiobook cover of Gathering Moss by Robin Wall Kimmerer showing paintings of a variety of mosses on a granular tan background and surrounding the book title in the center. The cover of The General's Son by Miko Peled showing an old faded photo of Miko Peled as a young boy standing in front of his father wearing his military fatigues. Both are looking off into the distance. Audiobook cover of Generation Ship by Michael Mammay showing the dimly lit outline of the central section of a gigantic ship in a vertical orientation against the black of space. The cover of Generosity by Richard Powers The audiobook cover of The Genius of Trees by Harriet Rix showing an illustration a very thick trunked tree rising from the ground in the middle of the cover and quickly branching out more and more until the branches are very fine and spread across the entire cover. The tree is black. The background beyond is glowing red as if at sunrise or sunset, but the color morphs slowly to purple then blue then green. The title of the book is displayed on the thick black trunk. Below the ground, the shape of tree in mirrored, suggesting a root system equal to the branches. Now the ground is black, and the root system displays the mirror image of the colors of the background above ground. The cover of The Geography of Bliss by Eric Weiner The cover of The Ghost Map by Steven Johnson The cover of Ghost Wars by Steve Coll Audiobook cover of Ghosts of Honolulu by Mark Harmon and Leon Carroll, Jr. showing a Japanese plane with crimson Rising Sun circles on its wings flying overhead in a sky of dark clouds. The audiobook cover of Ghosts of Iron Mountain by Phil Tinline: The black cover features an image of the War Room from the film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, which is a big concrete room with a large circular table at the center around which are seated 30 or so white men wearing 1960s style suits or military uniforms. A big ring of light hangs over the heads of the people seated at the table, above which are huge world maps that appear to depict missile launches. Audiobook cover of Ghosts of Panama by Mark Harmon and Leon Carroll, Jr. showing an ominous view up a street in Panama City that is lined with bombed and burning buildings billowing with dark smoke. Audiobook cover of Ghosts of Sicily by Mark Harmon and Leon Carroll, Jr.: A dimly lit scene of what is likely the Atlantic off the Eastern Seaboard, specifically New York. On the water is an American warship surrounded by a few other smaller boats, possibly fishing boats. In the sky are squadrons of figher planes. Superimposed over the entire scene is the somewhat grim face of mobster Charles "Lucky" Luciano. The cover of The Gift of Our Wounds by Pardeep Singh Kaleka and Arno Michaelis The cover of A Gift of Time by Jerry Merritt The cover of Girl Gone Missing by Marcie R. Rendon The cover of Girl in Landscape by Jonathan Lethem The cover of The Girl Who Kicked the Hornet's Nest by Stieg Larsson The cover of The Girl Who Played with Fire by Stieg Larsson The cover of The Girl with the Dragon Tattoo by Stieg Larsson The audiobook cover of The Glass Man by Anders de la Motte: a nighttime view of a blue lake and a dark, forested shoreling beyond is seen through a window with cracked glass. The outline of a frog is clinging to the glass, head up, legs spread. Looking through the frog, everything is gray. The cover of God Bless You, Mr. Rosewater by Kurt Vonnegut The cover of The God Delusion by Richard Dawkins Audiobook cover of Going Home by Raja Shehadeh showing an illustration of a twig of olive leaves, behind which is an image of crowded city of multi-story building, presumably Ramallah. The cover of The Gold Bug Variations by Richard Powers Audiobook cover of The Golden Gate by Amy Chua. In hues of red, burnt red, and yellow, a mansion on a hilltop is shown with the San Francisco Bay and the Golden Gate Bridge in the background. The cover of The Golden Mean by Nick Bantock showing an envelope addressed to Sabine with an Air Mail label, a couple British stamps and a wild illustration with a flying frog, a golden beetle with a face, an ink sketching of a woman, several lily pads, and a drum. The audiobook cover of Goliath's Curse by Luke Kemp: against a plain tan background, there is a glass globe resting on four antique-looking brass legs.The globe is one-third filled with sand in which can be see the tops of a variety of civilization icons leaning at decrepit angles, including the Dubai Burj Al Arab skyscraper in Dubai, the Statue of Liberty in the U.S., the Tower of London, the Pyramids in Egypt, the Colosseum in Rome, and the Hera Temple in the ancient Greek city of Paestum. The cover of Gone Fishin' by Walter Mosley Audiobook cover of Good Night, Irene by Luis Alberto Urrea showing the back of a woman's head and her shoulder. She has her hair up neatly in a bun and is wearing what looks like a military uniform jacket. The image is yellowing at the top-right and lower-left corners, perhaps suggesting the aging of a photograph. The cover of Goodbye Tsugumi by Banana Yoshimoto The cover of The Google Story by David A. Vise and Mark Malseed The cover of Gorky Park by Martin Cruz Smith The cover of Grandma Gatewood's Walk by Ben Montgomery The cover of Grant Park by Leonard Pitts Jr. Book cover of the first edition of The Grapes of Wrath by John Steinbeck designed by Elmer Hader showing a simple watercolor painting of a sitting barefoot boy in brown dungarees and a tan shirt, a standing barefoot man in worn denim dungarees and a dirty tan shirt, and a sitting woman in a dirty red dress sitting on a roadside looking out at dozens of cars and trucks loaded with possessions driving across a dry tan plain and off toward rising blue hills in the distance. The cover of The Grass Dancer by Susan Power The cover of The Great Derangement by Matt Taibbi The audiobook cover of The Great Escape by Saket Soni showing a group of Indian workers marching along a roadway on their way to Washington DC The cover of The Great Experiment by Yacha Mounk The cover of Great Plains by Ian Frazier The cover of The Greatest Invention by Silvia Ferrara The cover of The Greatest Show on Earth by Richard Dawkins The cover of Green Earth by Kim Stanley Robinson The cover of Green Mars by Kim Stanley Robinson The cover of Griffin & Sabine by Nick Bantock showing a colorful hand drawn parrot with a head of orange feagthers and a body of blue and green feathers The cover of Griftopia by Matt Taibbi The cover of Groundswell by Li and Bernoff The cover of Gun, with Occasional Music by Jonathan Lethem


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The cover of The Dain Curse by Dashiell Hammett The cover of Hanta Yo by Ruth Beebe Hill and Chunksa Yuha The cover of Hardboiled & Hard Luck by Banana Yoshimoto The cover of Hard-Boiled Wonderland and the End of the World The cover of Harriet Tubman: The Road to Freedom by Catherine Clinton Audiobook cover of Head Cases by John McMahon showing the title of the book on what looks like the top of a cardboard box with a red piece of tape marked Attention Sealed FBI. The box has been torn open and the red seal tape torn apart. Audiobook cover of The Heat Will Kill You First by Jeff Goodell showing the dust trail of vehicle driving into the distance of a desolate landscape and towards the painful brightness of the sun setting over distant hills. Everything is tinted in shades of the orange of intense heat. The cover of Helgoland by Carlo Rovelli Audiobook cover of Hell Put to Shame by Earl Swift showing the title in white letters displayed over ominously dark storm clouds hovering over cotton fields that are ripe for picking. The audiobook cover of Here Comes the Sun by Bill McKibben showing a bright sun shining in the sky over a bunch of solar panels. The cover of Hidden Figures by Margot Lee Shetterly The cover of The Hidden Life of Trees by Peter Wohlleben The cover of The Hdden Messages in Water by Masaru Emoto The cover of The Hidden War by Artyom Borovik The cover of Hiding in Plain Sight by Sarah Kendzior The cover of Hiroshima by John Hershey The cover of His Truth Is Marching On by Jon Meacham The cover of The Historian by Elizabeth Kostova The book cover of A History of Florida: Through Black Eyes by Marvin Dunn showing a small outline of the state Florida looking like it is cut from a piece of grimy sackcloth and superimposed over a collage of three photos: in the upper left is the face of a black man looking outward; below him is a photo of Ku Klux Klan members marching in white robes and holding aloft burning crosses; on the right is a hazy old photograph of a lynching victim hanging from a tree. The cover of The History of Love by Nicole Krauss The cover of The Hitchhiker's Guide to the Galaxy by Douglas Adams The cover of The Hitchhiker's Guide to the Galaxy by Douglas Adams The cover of Homegoing by Yaa Gyasi The cover of Homer & Langley by E. L. Doctorow The audiobook cover of Hope in the Dark by Rebecca Solnit: on a plain black background, the book's title and subtitle, as well as the author's name are displayed in white letters. The cover of The Hot Zone by Richard Preston The audiobook cover of Hotel Ukraine by Martin Cruz Smith: Beneath an onimous dark gray sky that is fragmented in a rectangular pattern, the dark outline of a man in an overcoat can be seen running across a frozen river toward a shoreline lined with multi-story buildings, likely in Moscow. The entire scene is tilted at about a 20-degree angle. The cover of Hothouse Earth by Bill McGuire The cover of How Civil Wars Start: And How to Stop Them by Barbara F. Walter The cover of How I Survived a Chinese "Reeducation" Camp by Gulbahar Haitiwaji The cover of How Minds Change by David McRaney The audiobook cover of How the South Won the Civil War by Heather Cox Richardson showing the title in capital letters. The word SOUTH is written in red and can be see superimposed over the word NORTH, which is in light gray letters. The cover of How the Word Is Passed by Clint Smith The audiobook cover of How to Be a Dissident by Gal Beckerman: on a sort of gray smudged, off white background, the title and author's name are hand written. The cover of How To Be An Antiracist by Ibram X. Kendi The cover of How to Be Animal by Melanie Challenger The cover of How to Lie with Statistics by Darrell Huff The cover of How to Live Safely in a Science Fictional Universe by Charles Yu The cover of How to Make an Apple Pie from Scratch by Harry Cliff The cover of How to Resist Amazon, and Why by Danny Caine The audiobook cover of How to Say Goodbye by Wendy MacNaughton showing the title handwritten and an illustration of bunch of flowers in an earthenware vase. The cover of How to See by George Nelson The very cool audiobook cover of How to Speak Whale by Tom Mustill. The back ground is purple, ranging from lighter purple at the top to a deep, dark purple at the bottom. Floating in front is what looks kind of like a big, square speech bubble with rounded corners in shades of blue, ranging from light aqua blue at th top to a deeper blue at the bottom. Looking more closely, a humpback whale is revealed by a cutout for the mouth at the bottom right, and the tail floating down on the left side and under the main body. The top of the whale is choppy, like the surface of a windswept ocean, and the outline of a little boat with two little people are floating there. The title of the book is superimposed on the whales body; each letter begins with a very small white capital that expands outward in all directions until it is a much larger dark blue letter. Audiobook cover of How to Stand Up to a Dictator by Maria Ressa showing the book title in front of a black and white image of Maria Ressa standing in front of a street of multi-story building with smoke rising between Ressa and the buildings. The cover of How We Can Win by Kimberly Jones The cover of How We Decide by Jonah Lehrer Audiobook cover of How We Win the Civil War by Steve Phillips. The title is one word below the previous in big bold black letters down the center. The background is split in half vertically with the left half orange and right half blue. The cover of How Would You Move Mount Fuji? by William Poundstone The cover of HTML & XHTML: The definitive Guide by Chuck Musciano, Bill Kennedy The cover of HTML for the World Wide Web by Elizabeth Castro The cover of Hubble's Universe: A Portrait of Our Cosmos by Simon Goodwin The cover of Human Compatible by Stuart Russell The cover of The Human Experiment by Jane Poynter The audiobook cover of Human Nature by Kate Marvel. In the foreground is a pen and ink drawing of a line of glaciers at the edge of a sea with swirling waves. Many chunks of ice have broken off the glaciers and are floating in the sea. In the sky above and beyond is the structure of what looks like a Buckminster Fuller geodesic dome, suggesting that a scientific simulation is being conducted to study the impact of climate change. Audiobook cover of The Humanity Archive by Jermaine Fowler showing what looks like a stack of sheets of old, yellowed pieces of paper with the title and author's name on the top sheet. Cutouts around the title and name reveal old documents and photos beneath the top sheet. The cover of Humankind by Rudger Bergman The audiobook cover of The Hundred Years' War on Palestine by Rashid Khalidi shows the heavily damaged remains of a house in Jaffa. The cover of The Hungry Tide by Amitav Ghosh The cover of The Hunt for Red October by Tom Clancy The cover of Hunting the Wild Pineapple by Thea Astley The cover of The Hydrogen Sonata by Iain M. Banks


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Audiobook cover of I Am Code by code-davinci-002 showing the head of a statue rendered in a dark lilac color on a black background, but the image is distorted, as if displayed on glitchy computer monitor. It may be the head of Calliope, who in Greek mythology is the Muse who presides over eloquence and epic poetry. The cover of I Contain Multitudes by Ed Yong Audiobook cover of I Will Show You How It Was by Illia Ponomarenko showing an illustration of late evening Kyiv centered on the Independence Monument in Maidan Nezalezhnosti (Independence Square), a tall thin monument with a winged figure on top. In the distance is the bright flash of an explosion lighting the sky. The cover of If Then by Jill Lepore The cover of I'm Not Dying with You Tonight by Gilly Segal and Kimberly Jones The cover of Idoru by William Gibson The audiobook cover of If Anyone Builds It, Everyone Dies by Eliezer Yudkowsky & Nate Soares showing a dark and foreboding scene looking out at a flat horizon. Most of the cover is the sky. The ground is entire black while the sky is very dark gray, almost black, except the center of the horizon where it is glowing an ominous deep red, as if the planet is burning beyond the horizon. The audiobook cover of Imago by Octavia E. Butler showing a painting of the face of Jodahs, a black child who is the offspring of Lilith and an Ooloi, and is looking directly forward; his head is partially obscured by and he is surrounded by what appear to be stalagmites in hues of bright orange and pink. The cover of An Immense World by Ed Yong The cover of Imperium by Ryszard Kapuściński The audiobook cover The Impossible Detective by Bob Reiss: in a dimly lit office can be seen the silhouettes of a man and a young girl sitting in chairs at a desk, backlit by the light of a lamp on the desk. The title of the book is superimposed over the scene in large, red, capital letters. The word IMPOSSIBLE is distorted, split between the top and bottom, with the bottom shifted slightly to the right. The cover of In Defense of Food by Michael Pollan The cover of In Love with the World by Yongey Mingyur Rinpoche, with Helen Tworkov The cover of In the Camps by Darren Byler The cover of In the Wake by Per Petterson The cover of The Incredible Journey of Plants by Stefano Mancuso Audiobook cover of Independence Square by Martin Cruz Smith showing the authors name in big dark yellow block letters and the title in light yellow block letters superimposed over a dark outline of Independence Monument, which towers over Independence Square in Kiev and symbolises the birth of a new state. Audiobook cover of Indian Givers: How the Indians of the Americas Transformed the World by Jack Weatherford. Against a deep green background, a yellow book cover in the shape of a hardbound book is displayed. The title is displayed in dark red, and the subtitle in the same deep green. Audiobook cover of The Infinity Machine by Sebastian Mallaby featuring a color photo of Demis Hassabis from the shouulders up. He's wearing a black t-shirt and black eyeglasses, but the entire image is a bit of a focus, more so on the left side. Superimposed over his photo in white capital letters is the title, subtitle, and author's name. The cover of Information Anxiety 2 by Richard Saul Wurman The cover of Inherent Vice by Thomas Pynchon The cover of Injustices by Ian Millhiser The cover of Inscape by Louise Carey The audiobook cover of Inside Man by John McMahon showing a blue filing cabinet with a crooked paper label in a metal holder reading FBI. The drawer below the label is partially open showing a glimpse of the file folders it contains, two of which have labels sticking up, but both titles have been obscured out with strokes of a red marker. The cover of Instruments of Darkness by Robert Wilson The cover of Interior Chinatown by Charles Yu Audiobook cover of The Internet Con by Cory Doctorow showing a browser window with a search bar and the book's title. The monitor glass behind which the browser window is displayed is shattered as if a rock had been thrown through it. The cover of Interpreter of Maladies by Jhumpa Lahiri The cover of The Intuitionist by Colson Whitehead Audiobook cover of Invasion by Luke Harding featuring a black and white photograph of two people standing on a slight hilltop looking down and across at a city burning. A flagpole rises next to them with the blue and yellow Ukrainian flag flying at the top, the only item in the photo that is in color. The cover of The Invention of Air by Steven Johnson The audiobook cover of Invisible Doctrine: The Secret History of Neoliberalism by George Monbiot & Peter Hutchison. Well, this is one of the uglier, most boring book covers I've ever seen: on a battleship gray background, the title, subtitle, and authors' names are displayed in large bold black capital letters, except for the word NEOLIBERALISM, which is displayed in large bold yellow capital letters. The cover of Invisible Planets translated and edited by Ken Liu The audiobook cover of Invisible Rulers by Renée DiResta: against a black background, the title is shown in very large, block, capital letters. The word RULERS is rendered in white; however, the word INVISIBLE is rendered in dark gray, so it's barely visible. The cover of Ishmael by Daniel Quinn The cover of Islamic Patterns by Keith Critchlow The cover of Islands of Abandonment by Cal Flyn The audiobook cover of Israel: What Went Wrong? by Omer Bartov: against a background that is dark blue at the top, black in most of the center, and dark blue at the bottom, an outline of Palestine/Israel is shown in light gray. The title of the book is superimposed over this image. The book cover of It's Not That Radical by Mikaela Loach. The title is displayed as if on a couple very colorful steps seen at an angle. The top step is bright pink and the word IT'S is displayed in yellow as if painted on the surface. The vertical surface beneath that is bright green and the word NOT is displayed in black on that surface. The top of the next step down is bright yellow and the word THAT is displayed on its surface in bright pink. The vertical surface beneath that is black and the word RADICAL is displayed on its surface also in bright pink. The rest of the book cover is a triangle in the lower right displaying the subtitle and author's name. The audiobook cover of It's OK to Be Angry About Capitalism by Bernie Sanders: on a plain black background, the title of the book is displayed at the top in two line in large, white, bold, capital letters. The word ANGRY is displayed in red. Beneath the title, the author's name is displayed in the same letters, but they are gray. Below that is a photo of Senator Sanders from the thigh up. He is wearing a plain white dress shirt with an unbuttoned collar and black pants that disappear into the background. His left sleeve is pushed up to the elbow and his left arm is reaching across pushing up his right sleeve. He has short white hair and is balding on top. He is wearing glasses and has a determined look that suggest it's time to get to work! The cover of the large, hardbound edition of Iwígara by Enrique Salmón featuring ink drawings of a variety of plants common to North America. In the center is a drawing of two hands held together, palms up, holding some fresh berries.


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The cover of Jade Lady Burning by Martin Limón The cover of Jailbird by Kurt Vonnegut The cover of The Art of Japanese Joinery by Kiyoshi Seike The cover of Jar City by Arnaldur Indriðason The cover of Jarhead by Anthony Swofford The cover of JavaScript: The Definitive Guide by David Flanagan The cover of Jayber Crow by Wendell Berry The cover of Book cover of Jollof Rice and Other Revolutions by Omolola Ijeoma Ogunyemi showing a woman with what looks kind of like a bowling ball for a head climbing a ladder with rungs made of books The cover of The Joy of Living by Yongey Mingyur Rinpoche The cover of Joyful Wisdom by Yongey Mingyur Rinpoche, with Eric Swanson The cover of JPod by Douglas Coupland Audiobook cover of Jumpnauts by Hao Jingfang showing three astronauts. Two are standing side by side and hand in hand at the bottom on a peach colored surface, tethered by long hoses to something unseen, while a third floats above beneath a blue and peach covered sphere. The cover of Just Mercy by Bryan Stevenson


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The cover of Kafka on the Shore by Haruki Murakami The cover of Kalmann by Joachim Schmidt The cover of Karla Trilogy by John le Carré The cover of Keep Sharp by Sanjay Gupta, MD The cover of The Killing Hills by Chris Offutt The cover of Kindred by Octavia E. Butler The audiobook cover of King: A Life by Jonathan Eig showing the front left side of King's face with his eyes looking downward and to the left in a contemplative manner. The cover of Kingdom of Shadows by Alan Furst The cover of Kitchen Botany by Garima Fairfax The cover of Klara and the Sun by Kazuo Ishiguro The cover of The Known World by Edward P. Jones The cover of Krik? Krak! by Edwidge Danticat


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The cover of L.A. Requiem by Robert Crais The cover of Labyrinths of Reason by William Poundstone The cover of Ladder of Years by Anne Tyler The cover of Land of the Blind by Jess Walter The beautiful cover of The Language of Trees by Katie Holten showing a stand of a couple dozen trees of various ages and heights growing up from a rich undergrowth of plants. Beneath a line representing the soil, their intricate tangle of underground roots is shown. All of this is rendered in what looks like gold leaf against a deep green background color. The title of the book is displayed in large white characters behind the root filaments. The cover of The Last Hunt by Deon Meyer The cover of The Last Report on the Miracles at Little No Horse by Louise Erdrich The cover of Last Tango in Cyberspace by Steven Kotler The audiobook cover of The Late Show by Michael Connelly showing the black, semi-translucent outline of a woman superimposed over the hazy blue outline of Los Angeles. The cover of The Laws of Simplicity by John Maeda The cover of Layout by Allen Hurlburt The cover of Leading Change by John P. Kotter The cover of Learning Responsive Web Design by Clarissa Peterson The cover of The Left Hand of Darkness by Ursula K. Le Guin Audiobook cover of Legacy of Ashes by Tim Weiner: against a red background, the title, subtitle, and author's name is displayed in white text. Next to the subtitle is the circular seal of the CIA: against a blue background is a white shield with a bald eagle's head above and the words Central Intelligence Agency in white circling the top periphery and Unites States of America in a red ribbon circling the bottom periphery. On the shield is the image of a compass (long thin triangles pointing at the four main directions: north, west, south, and east; shorter thin triangles pointing at the in-between directions). The cover of Legends by Robert Littell The cover of Les Misérables by Victor Hugo; translated by Julie Rose Audiobook cover of Lessons from the Covid War by The Covid Crisis Group: under a big blue sky, thousands of white flags representing each person lost from Covid-19 are displayed across a vast swath of the National Mall in Washingto, D.C. from the "In America, Remember," memorial, September–October 2021. The cover of Let My People Vote by Desmond Meade The cover of Letter to a Christian Nation by Sam Harris The audiobook cover of Leviathan Wakes by James S. A. Corey showing a variety of spaceships and platforms floating above a planet. The audiobook cover of Lies, Damned Lies by Claire G. Coleman. The two instances of the word LIES are positioned one above and one below and are displayed in red outlined block letters that are filled with colorful illustrations of patterned circles and what looks like plants with circular leaves. The word DAMNED is stamped in red over and between the two LIES. The cover of Life 3.0 by Max Tegmark The cover of The book cover of Life Among the Qallunaat by Mini Aodla Freeman featuring a colorful painting of three thin multi-story building, one yellow, one light blue, one dark blue, with a bunch of colorful cars driving back and forth in front of the buildings. Audiobook cover of The Life and Times of Hannah Crafts by Gregg Hecimovich showing the outline of the head of a black woman seen from the side against a black background. The outline is filled with portions of a page of the handwritten manuscript of the novel, The Bondwoman's Narrative. The cover of Life Is So Good by George Dawson The cover of Life's Edge by Carl Zimmer The cover of Liftoff by Eric Berger The cover of The Light Brigade by Kameron Hurley The audiobook cover of The Light Eaters by Zoë Schlanger: against a black background, a single plant is shown. On a thin stalk are a pair of leaves with sawtooth edges. The leaves are bright red on the underside and bright green above. Just above the leaves is a curved branch that appears to have a flower at the end. At the top of the plant stock are filaments that look like vine tips. The cover of Light From Uncommon Stars by Ryka Aoki The cover of Light of Days by Judy Batalion The cover of Like Life by Lorrie Moore Audiobook cover of A Line in the Sand by Kevin Powers showing a man walking through the vegetation alongside a beach, outlined against a pre-dawn blue sky. The cover of Linked: The New Science of Networks Audiobook cover of The Lions' Den by Iris Mwanza as if it is a piece of off-white paper with a vertical wedge torn out of it from the top until it nearly reaches the bottom, revealing the forehead, right eye, and cheek of a young Zambian woman looking out through the tear. Audiobook cover of The Little Book of Aliens by Adam Frank showing an eclipse that has left just a sliver of a 2/3rds crescent of light floating in a black sky with a small orb, perhaps a planet or a moon, floating far off above. The cover of The Little Book of Boards by Erik Hanberg The cover of A Little History of Philosophy by Nigel Warburton The cover of Little Scarlet by Walter Mosley The audiobook cover of Live Fast by Brigette Giraud: in a darkened room, a smudged window looks out at a plaster building across the street with just a small glimpse of blue sky with clouds in the upper right. In the room, there is the outline of a plant in front of the window and an orange-colored easy chair is lit by the light coming through the window. There appears to be something in the chair, perhaps a carelessly tossed jacket. The cover of Lizard by Banana Yoshimoto Audiobook cover of Locked In by Jussi Adler-Olsen showing a dimly lit and small prison cell containing a bed and a table, seen through the bars at the front of the cell. The books title is locken in the cell behind the bars. The cover of The Lone Ranger and Tonto Fist Fight in Heaven by Sherman Alexie Audiobook cover of The Long View by Richard Fisher Showing a cross section of tree log revealing its annual growth rings. The audiobook cover of A Long Way Home by Saroo Brierley: five-year-old Saroo Brierley is shown wearing a t-shirt that says "Tasmania" and walking towards his adoptive family upon arriving in Australia. In the background is a fuzzy image in shades of red and orange that seems to show a person standing on a bank of a river, perhaps representing his mother searching for him. Audiobook cover of Looking at Women Looking at War by Victoria Amelina: The cover is cracked plaster and concrete wall that is broken off halfway across. On the left side of the cover, the broken wall displays the title and author's name. On the right side, staring out from behind the broken wall, is the author's face: a pale white woman with long very light brown hair and blue gray eyes. She has an expression of intense observation. The cover of The Lost Book of Adana Moreau by Michael Zapata The cover of The Lost Books of the Odyssey by Zachary Mason The cover of Lost Children Archive by Valeria Luiselli The audiobook cover of The Lost Trees of Willow Avenue by Mike Tidwell showing the view looking up the big trunk of an old oak tree with branches spreading high above, and a glimpse of the blue sky beyond seen through all the leaves.


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The cover of Machine by Elizabeth Bear The cover of Machinehood by S.B. Divya The cover of Made to Stick by Chip Heath & Dan Heath Cover of The Madness of Sara Mansfield by Sophie McKeand showing a woman's bionic head (for example, the ears are sheathed in thin electronic devices and the temples are covered with some type of flat appendages). The bottom half of entire cover, including the head, is turquoise colored. Behind the thelower half of the face can be seen mountain ranges. The lower half of the face itself is cracked, as if it is made of stone. The top half of the cover is blood red, and the top of the head has a root-like structure criss-crossing it. There is a black triangle over the area of the third eye. The cover of The Man in My Basement by Walter Mosley The cover of The Man in the High Castle by Philip K. Dick The cover of Man Walks Into A Room by Nicole Krauss The cover of The Man Who Ate the 747 by Ben Sherwood The cover of The Man Who Died by Antti Tuomainen The cover of The Man Who Fell to Earth by Walter Tevis The audiobook cover of The Man Who Smiled by Henning Mankell - a foggy view of road disappearing off into the distance between a line of trees on each side. The cover of The Man Who Tasted Words by Dr. Guy Leschziner The cover of The Man Who Turned into Himself by David Ambrose The cover of A Man Without a Country by Kurt Vonnegut The cover of A Man Without a Country by Kurt Vonnegut The cover of The Man Without a Face by Masha Gessen The cover of The Map of Salt and Stars by Zeyn Joukhadar The cover of The Master Butchers Singing Club by Louise Erdrich Audiobook of Masters of the Lost Land by Heriberto Araujo showing a view of burning Amazon rainforest with the sky above full of smoke. The cover of Material World by Peter Menzel Audiobook cover of Means of Control by Byron Tau showing four people walking on a large surface that looks to be made from boards, but the whole image is turned 90 degrees and each of the people are mirrored in green and red copies that are slightly offset. The cover of Meantime by Frankie Boyle The cover of The Medici Effect by Frans Johansson The cover of Meetings with Remarkable Men by G.I. Gurdjieff The cover of Memoirs of a Geisha by Arthur Golden Audiobook cover of The Memoirs of Stockholm Sven by Nathaniel Ian Miller. A beautiful, moody illustration of a man and a dog walking across a snowscape towards a small, ramshackle structure that is his home. Beyond is the deep blue tip of a fjord with craggy, snowcapped mountains rising behind the water. The cover of The Memory of Old Jack by Wendell Berry The audiobook cover of The Mercy Chair by M.W. Craven: in a large, light gray cement room with a single open window, a steel stairwasy leads up to an upper story. The audiobook cover of The Merge by Grace Walker: against a black background is displayed a chaotic painting of a woman's face disrupted by bold brush strokes in different colors swiping across the face so that only one eye and part of the mouth can be clearly seen. Audiobook cover of The Message by Ta-Nehisi Coates: the title and author's name are displayed in large block white capital letters on what appears to be a page of handwritten notes on dark tan paper, but the paper is torn and distorted by slashes of white, red and black paint. The cover of Midnight in Chernobyl by Adam Higginbotham The cover of Migrations by Charlotte McConaghy Audiobook cover of Misfire by Tim Mak. Emerging from a black background, the title of the book is displayed in big, bold, deep red capital letters. The subtitle is displayed below in gray letters, and the author's name below that, again in red letters. The audiobook cover of The Mission by Tim Weiner: against a black background, the title and author's name are displayed in large capital white letters. The subtitle is displayed in smaller capital fred letters, except for CIA, which is displayed in slightly larger capital white letters against a red rectangle that surrounds it. Between the title and author's name is a tilted, worn out looking circular CIA seal with its graphic features (a shield with a bald eagle's head above and the words Central Intelligence Agency in circling the top periphery and Unites States of America circling the bottom periphery; on the shield is the image of a compass: long thin triangles pointing at the four main directions: north, west, south, and east; shorter thin triangles pointing at the in-between directions) shown in a bronze tone against a black background. The cover of Mission Al Jazeera by Josh Rushing The cover of The Mission Song by John le Carré The cover of Modoc by Ralph Helfer The audiobook cover of The Monk by Tim Sullivan showing a bearded man dressed in a monk's robe walking down a stone stairway. The cover of Book cover of Moon of the Crusted Snow by Waubgeshig Rice showing a pickup truck stuck in a snowdrift during a snowfall in a mostly flat snow-covered landscape with just a couple pine trees and a couple decidious trees bare of leaves. Far in the background, there appears to be some small forested hills. The cover of The Moonstone by Wilkie Collins: a very old looking cover showing the title and author in an old script with a drawing of gemstone in between. The cover of Moony's Road to Hell by Manuel Ramos Audiobook cover of More Everything Forever by Adam Becker: against a view of black space dotted with stars, the title, written in white capital italic letters trailing bluish exhaust plumes, looking as if they are blasting off into space. The cover of Mother Night by Kurt Vonnegut The cover of Motherless Brooklyn by Jonathan Lethem The cover of Motherless Brooklyn by Jonathan Lethem The audiobook cover of The Mountain King by Anders de la Motte showing a dark black and white scene of a smoky forest. In the center, a shape is torn out somewhat in the shape of a butterfly revealing the same forest scene, but upside down and in glowing red. The cover of Murder on the Red River by Marcie R. Rendon The cover of Musashi by Eiji Yoshikawa The cover of Musashi (audiobook) by Eiji Yoshikawa Audiobook cover of Muskism by Quinn Slobodian & Ben Tarnoff: Against a deep blue sky, a trail of smoke from a rocket launch can be seen. It is crooked from having been destored by crosswinds. The cover of My Abandonment by Peter Rock The cover of My Dirty California by Jason Mosberg The cover of My Lost Freedom by George Takei showing an illustration of George Takei as a young boy kneeling on the arid soil of Camp Tule Lake in Northern California and holding a scruffy little black dog. He is surrounded by high barbed wire fences, armed soldiers, and a guard tower. Behind him rises high, burnt-orange hills with a cloudy blue sky above. The cover of My Name is Red by Orhan Pamuk The cover of My Remarkable Journey by Katherine Johnson The cover of The Myths of Innovation by Scott Berkun


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The cover of The Name of the Rose by Umberto Eco The cover of Narrative of the Life of Frederick Douglass The cover of The Nation of Plants by Stefano Mancuso The cover of Nature's Best Hope by Douglas W. Tallamy The cover of Negotiations by Leigh Thompson The cover of Neither Wolf Nor Dog by Kent Nerburn The cover of Nemesis by Jo Nesbø Audiobook cover of Network Effect by Martha Wells showing a heavily armored figure standing on a hatchway of a large structure in deep space with an heavily armored spaceship flying overhead. The cover of Neuromancer by William Gibson The cover of Neuromancer by William Gibson The cover of The New Corporation by Joel Bakan The cover of The New H. N. I. C. by Todd Boyd The cover of Nickel and Dimed by Barbara Ehrenreich The cover of Night Heron by Adam Brookes The cover of Night Soldiers by Alan Furst The cover of Nightmare Scenario by Yasmeen Abutaleb and Damian Paletta The cover of The Nine by Gwen Strauss The audiobook cover of Nine Minds by Daniel Tammet: on a pale yellow background, nine different fingerprints are displayed in three rows of three. On each fingerprint, a face is sketched with simple lines portraying the eyes, nose, mouth. Each face shows a distinctly different expression like surprise, contentment, concern, wonder, teasing, restfulness, dismay, and so on. The cover of No Is Not Enough by Naomi Klein Audiobook cover of No Logo by Naomi Klein. On a black background, NO is is bold red letters. LOGO is in bold black letters displayed on a white label. The cover of No Place to Hide by Glenn Greenwald The cover of Nobody Walks by Mick Herron Audiobook cover of Nobody's Fool by Daniel Simons & Christopher Chabris depicting a wooden Trojan Horse with wooden wheels standing against a green background. The cover of Nomadland by Jessica Bruder The cover of Norwegian Wood by Haruki Murakami Cover of Not So Black and White by Kenan Malik showing the title in big block black and white letters superimposed over a background of colored blocks ranging from black in the upper left through bands of brown, red, orange, blue, green, yellow, and then white in the lower right. Audiobook cover of Not the End of the World by Hannah Ritchie showing a colored background that goes from a band of bluish gray at the bottom to red in most of the center to thinner bands of orange/yellow/green at the top. The bands of color merge into each other. In the center there is a circle containing a smaller version of these bands, and they are titled about 50 degrees. There is a thick frame of white running up the two sides and across the top. I actually have no idea what the cover is meant to convey. The audiobook cover of The Nothing Within by Andy Giesler showing the backlit outline of a girl holding a large staff and standing in front of a stone wall, surrounded on each side by the edges of a dark forest.


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The cover of Oak Flat by Lauren Redniss The cover of Objectified. A Film by Gary Hustwit Audiobook cover of Observer by Robert Lanza & Nancy Kress: Against a black background is superimposed a criss-crossing pattern of lines that form a grid for planes of right-angled surfaces, for example, the first letters of the title, OBSE, are angled to face towards the back in a leftward direction while the remaining letters, RVER, are angled to face towards the back in a rightward direction. Similarly, the authors' names face towards the front and leftward and towards the front and rightward. The outline of a person can be seen standing at the axis of all the planes that are formed. The cover of Off the Edge by Kelly Weill The cover of The Old Lie by Claire G. Coleman The cover of Omnivore's Dilemma by Michael Pollan Audiobook cover of On Freedom by Timothy Snyder: on an off white background, the cover shows simply the title in blue letters and the author's name in red letters. The audiobook cover of On the Calculation of Volume I by Solvej Balle. Against a light green background, an oblong, crooked sphere of alternating hazy colors is displayed: a center of orange, surrounded by hellow, then blue, and finally purple. The shere is framed by a crisp, white, oblong circle in which the title and authors name are displayed, running around the white frame. The cover of On the Rez by Ian Frazier The cover of On the Road by Jack Kerouac The cover of On Time and Water by Andri Snær Magnason The cover of On Time and Water by Andri Snær Magnason The audiobook cover of On Tyranny by Timothy Snyder: on a tan background the title, subtitle, and author's name are displayed in black type. The left and right sides are defined by a group of five thin red vertical lines. Audiobook cover of On Tyranny: Expanded Audio Edition by Timothy Snyder: a very plain cover displaying the title, subtitle and author in white text on a blue background with five thin light gold stripes running down the left and right edges. The cover of The One-Straw Revolution by Masanobu Fukuoka The cover of Once I Was You by Maria Hinojosa The audiobook cover of One Day, Everyone Will Have Always Been Against This by Omar El Akkad: against a solid, blood red background, a young girl stands holding a bunch of flowers in one hand and raising her other hand giving the peace sign. Above her, a missle is rushing down straight towards her. The audiobook cover of One Step Behind by Henning Mankell - a closeup view of an open hand, palm up, fingers curved upward, lying in the grass beneath a partly sunny sky. The cover of Operation Wandering Soul by Richard Powers Audiobook cover of Orbital by Samantha Harvey showing a colorful painting that suggests planets and orbits in the star-studded blackness of space. The cover of The Order of Time by Carlo Rovelli The audiobook cover of Oromay by Baalu Girma: on a pale yellow background, a five-pointed star is displayed titled to the left about 10 degrees. Within the star, an image is displayed of a sky with a red military helicopter flying above a mountain range with trees on the plain in front of it. At the front of the scene, the outlines of the backs of a man and a woman can be seen walking towards the distant trees. The left side of the image, including the man, is tinted red, while the right side of the image, including the woman, is tinted green. The cover of Orphans of Canland by Daniel Vitale: a painting shows two people riding a bike—one seated, one pedaling—across a primarily dark and orange-hued landscape. In the background are a couple people working in a field, and someone on a horse-drawn wagon passing in front of an adobe house. Mountains rise behind beneath a sky with orange-hued clouds. The cover of Our Common Purpose by the Commission on the Practice of Democratic Citizenship Audiobook cover of Our Enemies Will Vanish by Yaroslav Trofimov showing a simplistic 2D computer-game-like illustration of a line of troops on the left, some soldiers moving forward behind some tanks and a drone flying overhead. The cover of Our Mathematical Universe by Max Tegmark The cover of Our Missing Hearts by Celeste Ng Audiobook cover of Our Palestine Question by Geoffrey Levin. Over a tan, old-looking map of the Palestine are with key features sketched in ink, there is a raised, solid black outline of the current area made up of Gaza, Israel, and the West Bank. Right-aligned to the right border of that raised outline is the book title in large, capital, block letters. OUR is red, PALES-TINE is white, and QUES-TION is blue. The cover of Our Riches by Kaouther Adimi The cover of Our Time Is Now by Stacey Abrams The cover of Out of Africa by Isak Dinesen The cover of Out Stealing Horse by Per Petterson The cover of Outcast by Louise Carey The cover of Outlaws of the Marsh by Shi Nai'an and Luo Guanzhong The cover of Outliers by Malcolm Gladwell The cover of Outsider in the White House by Bernie Sanders


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Audiobook of Pageboy: A Memoir by Elliot Page featuring a photo of Page in a white tanktop t-shirt and blue jeans sitting on a stool. The cover of The Painted Drum by Louise Erdrich The cover of The Painter of Battles by Arturo Pérez-Reverte The cover of Pale Blue Dot by Carl Sagan Audiobook cover of Palestine: Peace Not Apartheid by Jimmy Carter showing an image of a contemplative Jimmy Carter superimposed over a photo of Palestinians protesting in front of high concrete wall separating them from Israel. Book cover of Palestinian Walks by Raja Shehadeh showing what appears to be an ancient valley with trees and some stone terraces. White rock cliffs rise above and an ancient white building is built into the side of the cliffs. The cover of Paper Cup by Karen Campbell The cover of The Paper Menagerie and Other Stories by Ken Liu The cover of The Paper Menagerie and Other Stories by Ken Liu The cover of Papyrus by Irene Vallejo The cover of Parable of the Sower by Octavia E. Butler The cover of Parable of the Talents by Octavia E. Butler The cover of The Paradox Hotel by Rob Hart The cover of Passage by Connie Willis The cover of A Patchwork Planet by Anne Tyler The audiobook cover of The Patient by Tim Sullivan showing the black outline of a man in an overcoat walking away down a gray corridor toward an open, brightly lit double doorway. The audiobook cover of Patriot by Alexei Navalny: Against a black background, the left half of Navalny's face is shown on the left and his name is shown in bold capital letters in white and the title in red. The cover of Pattern Recognition by William Gibson Book cover of Pegasus by Laurent Richard & Sandrine Rigaud showing an abstract eye over the title; the pupil is black, the iris is comprised of rings of light blue zeros and ones that become narrower as they get further out until they become rays of blue shooting outwards; behind all of this are thin fragments of bright multi-colored bands of light (red, yellow, blue, orange, green) running horizontally across a black background. The book cover of Perfect Victims and the Politics of Appeal by Mohammed El-Kurd: the background is a dark gray upon which the title Perfect Victims is displayed in large red type. Barely visible in the background is an acrylic and ink drawing, The fall has fallen, and you rise, © 2024 by Maisara Baroud, which shows what appears to be a number of bodies tumbling to the ground with arrows flying everywhere, while one body with wings rises above. The cover of Permanent Record by Edward Snowden The audiobook cover of Perversion of Justice by Julie K. Brown. The title of the book and author's name are displayed in large, deep orange capital letters. behind them, in an ominous dark gray tone, a face just barely can be made out, likely Epstein's (but really, it could represent any/all of the wealthy asshole men who associated with him in his horrendous behavior). Over the face is the barely readable text from what appears to be newspaper articles, also in ominous dark gray tones. One excerpt that can be read is: Johnson said she attended at least four different parties that summer at the mansion. There were a number of young girls at the parties, as well as older guests, including Trump. Her affidavit provided the same details as her earlier lawsuit, including descriptions of the brutal rape and physical abuse she said she endured from both Trump and Epstein. 'I loudly pleaded with Trump to stop,' she said in the lawsuit, describing Trump raping her. 'Trump responded to my pleas by violently striking me in the face with his open hand and screaming that he could do whatever he wanted.' The audiobook cover of The Pharos Gate by Nick Bantock showing a postcard featuring a colorful illustration of a variety of plant life, a hummingbird, and various exotic bugs. There is a stamp on the postcard that features a colorful hand drawn parrot with a head of orange feathers and a body of blue and green feathers. The audiobook cover Planetside by Michael Mammay showing a glimpse of space station high over an alien planet. The cover of The Player of Games by Iain M. Banks The cover of Player Piano by Kurt Vonnegut The cover of Player Piano by Kurt Vonnegut The audiobook cover of The Plot against America by Philip Roth: against a brown background, the title and author are displayed in lighter brown letters; between the title and author name, a U.S. National Park postage stamp is displayed with a bold black X over it. The cover of The Plot to Destroy America by Malcolm Nance The cover of Plowing the Dark by Richard Powers The cover of Plutoshine by Lucy Kissick The cover of The Poisonwood Bible by Barbara Kingsolver Audiobook cover of The Poisonwood Bible by Barbara Kingsolver showing abook with tan pages open against a deep orange background. Between Kingsolver's name and the title, there are five stick figures of varying sizes with raised arms bent at the elbows and wide spread legs bent at the knees, likely representing the mother and her four children, who are the narrators of the story. The cover of Polar Star by Martin Cruz Smith The audiobook cover of The Politician by Tim Sullivan showing a woman seen from the side standing at the top of a stone stairway and walkway beyond between stone buildings. Audiobook cover of The Postcard by Anne Berest featuring a black and white photo of the head and shoulders of a woman looking forward, but not quite at the camera. She has just the hint of a smile. In the upper-right there is a stamp and a post office cancellation mark. The cover of The Power of the Dog by Don Winslow The cover of Power Wars by Charlie Savage The cover of The Precipice by Toby Ord The cover of Presentation Zen by Garr Reynolds The cover of Presumed Innocent by Scott Turow. On a black background, a red fingerprint is centered, with the title above and the author's name below. Audiobook cover of Presumed Innocent by Scott Turow. On a gray background, a red fingerprint is centered, with the author's name above in dark red text and the title below in black text. The cover of Princess Naughty and the Voodoo Cadillac by Fred Willard The cover of Prisoner's Dilemma by Richard Powers The cover of Privacy Is Power by Carissa Véliz Audiobook cover of Privacy Is Power by Carissa Véliz: top one-third of background is red, bottom two-thirds is black. PRIVACY IS is written in bold black capital letters on the red background, and POWER is written in bold red capital letters on the black background. The audiobook cover of Privacy's Defender by Cindy Cohn: Against a pale tan background, the book's title and subtitle are displayed in the upper-left. In the lower-right, there is a bright red circle, sliced like a pie, but with pieces slightly separated and offset so that there is a pale tan circle in the center formed from the rays of pale tan shooting off to the edge of the circle between each pie slice. The author's name is displayed in that circle. The cover of Prodigal Summer by Barbara Kingsolver The cover of Project Hail Mary by Andy Weir The cover of A Promised Land by Barack Obama The audiobook cover of Prophet by Helen Macdonald & Sin Blaché showing what looks like a large shiny silver sphere floating above two people who are standing in its shadow. Audiobook cover of Prophet Song by Paul Lynch showing a clusgter of black row houses with a red sun rising behind. The cluster is surrounded by shattered black shapes, triangles and and polygons, some of which contain the title and authors name in white text. In front of the row houses and surrounded by the shattered black shapes is the small, black shapes of a group of people, an adult and two children. Cover of Prophets of the Red Night by Sophie McKeand showing a woman's clenched fist rising upward. The lower half of the cover is turquoise colored with the wrist, with a root-like structure criss-crossing it, is emerging from a tumbled city. The upper half of the cover is blood red, highlighting the clenched thumb and finger with red fingernails. Audiobook cover of Proposed Roads to Freedom by Bertrand Russell: on a background of a textured dark burgundy color, the title and author's name are displayed in what looks like raised silver letters, given the cover the look of a book from a hundred years ago. The audiobook cover of The Proving Ground by Michael Connelly showing the back of a dark suited man holding a briefcase in his right hand and with his left hand in his pocket. He is walking down a long tall walkway between mirrored windows on the left and square columns on the right. The cover of The Psychology of Everyday Things by Donald A. Norman The audiobook cover of The Puppet Show by M.W. Craven: against a dark brown background, the words of the title are displayed in flaming letters and surrounded by flames around the ages. The cover of The Purpose of Power by Alicia Garza


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The audiobook cover of Qualityland by Marc-Uwe Kling, which looks like a standard online order tan cardboard delivery box held shut by a strip of black paper tape with the title of the book repeated across it and a logo showing two stylized green hands holding a green box. In the top right is a Ship To label displaying the author's name. In the bottom is a stamp displaying the subtitle: The Biggest Company, The Perfect Algorithm, What Could Possibly Go Wrong? The cover of The Queen of the South by Arturo Pérez-Reverte The cover of Quicksand by Henning Mankell The audiobook cover of The Quiet by Barnaby Martin: against a black background is the small outline in light blue of a child with a duffel bag slung over his shoulder. Across the cover are several fuzzy horizontal rays in reds and greens that I think are meant to represent the humming sounds that feature in the story. The audiobook cover of The Quiet Ear by Raymond Antrobus: on a light tan background are several circles giving a glimpse of several views including the side of a grown man's head focused on his ear; the side of young boy's head, but his ear, but his ear is blurred; the eye of a young boy in the top part of a circle with a view of landscape and blue skies beyond. The title, subtitle, and author's name are displayed between the circles. The cover of The Quiet Girl by Peter Høeg


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The cover of The Rabbit Factor by Antti Tuomainen The cover of Rabbit-Proof Fence by Doris Pilkington The cover of Rabbits by Terry Miles The cover of Raceless by Georgina Lawton The cover of The Raging 2020s by Alec Ross The cover of Rain Fall by Barry Eisler The cover of Raising My Rainbow by Lori Duron The cover of Ratking by Michael Dibdin The cover of A Reader's Manifesto by B.R. Meyers The cover of Reality Check by Guy Kawasaki The cover of Reality Is Not What It Seems by Carlo Rovelli The cover of Recursion by Blake Crouch The cover of A Red Death by Walter Mosley The cover of Red Mars by Kim Stanley Robinson The cover of The Redbreast by Jo Nesbo The cover of Redeeming Justice by Jarrett Adams Audiobook cover of The Rediscovery of America by Ned Blackhawk featuring a feathered staff with the author's name, the title, and the subtitle displayed to the left of the staff. The audiobook cover of Regenesis by George Monbiot: most of the cover is a dark-brown cross section of soil on which is displayed the title, subtitle, and author's name, and above which a series of plant seedlings are emerging from the soil in a variety of stages, with a light blue sky beyond. The audiobook cover of Relativity for Beginners by John Stoddard showing a black hole at the center surrounded by a glowing reddish-orange circle with spiral galaxies and stars beyond. The title of the book is within the black hole. The cover of The Remarkable Life of the Skin by Monty Lyman The cover of Book cover of Rematriation by Sophie McKeand showing a tree without any leaves. The lower half of the cover is turquoise colored with a forest of raised fists beneath the tree. The upper half of the cover is blood red, highlighting just the upper branches of the tree, with the book's title above. The cover of The Removed by Brandon Hobson The cover of A Renegade History of the United States by Thaddeus Russell The cover of Return to Sender by Julia Alvarez The cover of The Revolutionary Genius of Plants by Stefano Mancuso The audiobook cover of Rewiring Democracy by Bruce Schneier & Nathan E. Sanders: against a black background is what appears to be an ancient Greek or Roman marble bust of a woman wearing a headband, though the image is very distorted, as if it is a glitching digital image. The cover of The Righteous Porkchop by Nicolette Hahn Niman The cover of Rising Out of Hatred by Eli Saslow The cover of RL's Dream by Walter Mosley The cover of Roadside Picnic by Arkady and Boris Strugatsky Audiobook cover of Rogue Protocol by Martha Wells showing two figures standing on a walkway that extends out into a a very large space containing a very large domed structure and enclosed by an even larger domed structure. The cover of Roofwalker by Susan Power Audiobook cover of The Round House by Louise Erdrich. On a gray background are fragments of what looks to be thin flat dark orange-colored wood arranged in a circle around the author's name and book's title. There's also a gold National Book Award Winner seal in the upper right. The audiobook cover of The Russia House by John le Carré: against a deep red background, a length of 35mm film negatives is displayed, folded so that three frames are prominent at the front. The cover of The Russia House by John le Carré Cover of The Russo-Ukrainian War by Serhii Plokhy showing the dark outline of a helmeted person walking past burning buildings at night.


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The cover of Sabine's Notebook by Nick Bantock showing a postcard with an Air Mail label and a wild illustration showing the rays of a sun and what look like a bunch of cave art-like illustrations of crazy insects, animals, and people. The audiobook cover of Salvagia by Tim Chawaga: three quarters of the cover is a view through greenish tinged water the surface of which is rolling with gentle but large waves. Above is a red-tinged sky. At the bottom of the water is the remnants of a sunken city. A dark-shaded body floats up above the lake bottom, its ankle chained to the bottom. An orange colored person is diving down from a large boat that is floating above. In the distance, rising above the water on pylons are what appears to be a pair of skyscrapers. Beyond them are the long, thin exhaust plumes of three small rocket ships blasting up into the sky. The cover of Sams Teach Yourself Active Server Pages 3.0 in 21 days by Scott Mitchell and James Atkinson The cover of Sams Teach Yourself SQL in 10 minutes by Ben Forta The cover of Sand Talk by Tyson Yunkaporta The cover of Sand Talk (oral edition) by Tyson Yunkaporta The cover of Sankofa by Chibundu Onuzo The cover of Saving Justice by James Comey The cover of The book cover of Scatterlings by Rešoketšwe Martha Manenzhe showing the outline of a map of Africa resting on what looks like weathered thatching. Inside the outline is a drawing of a willow tree. The cover of The Science of Interstellar by Kip Thorne The audiobookcover of The Sea Around Us by Rachel Carson: a drawing in shades of blue of how it might appear to look down into the depths of the sea. The audiobook cover of The Secret Life of Data by Aram Sinnreich & Jesse Gilbert showing a bookshelf containing a mix of analog items (books, plants, vase of flowers, etc.) and digital items (smart speaker, security camera, digital notepad, etc.). Behind about 3/5 of the bookshelf is plain off-white wall, but the other 2/5 reveals a darker background upon which is displayed the glow of various examples of digital data, for example, bar graphs made up of colored LED lights. The cover of The Secret Life of Fat by Sylvia Tara The cover of The book cover of The Secret Knowledge of Water by Craig Childs showing a still body of water in the foreground reflecting the scene behind, which is an expanse of desert with hills beyond that are sunlit in orange at the top and a clear blue sky above. A beautiful illustration of a woman in a colorful dress ahd headscarf patterned with large pink and yellow flowers. She is holding a tree sapling in her hands and is sitting amongst lush vegetation and under a beutiful old tree whose leaves provide a canopy overhead. The cover of Seeker by Jack McDevitt The cover of The Sentence by Louise Erdrich The cover of The Septic System Owner's Manual by Kahn, Allen, and Jones The audiobook cover of The Serviceberry by Robin Wall Kimmerer showing a colorful illustration of songbird perched on a serviceberry branch and surrounded by green leaves and clusters of red berries. The songbird holds a berry in its beak and its wings are spread as it prepares to fly off. The cover of Seven Brief Lessons on Physics by Carlo Rovelli The cover of seveneves by Neal Stephenson The cover of Shadow of the Silk Road by Colin Thubron The cover of The Shadow of the Sun by Ryszard Kapuściński The cover of Shadows on the Grass by Isak Dinesen The cover of Shah of Shahs by Ryszard Kapuściński The cover of Shantaram by Gregory David Roberts The cover of Sharks in the Time of Saviors by Kawai Strong Washburn The cover of Shifty's Boys by Chris Offutt The cover of The Shipping News by E. Annie Proulx The cover of Shoji - How to Design, Build, and Install Japanese Screens by Jay van Arsdale The cover of A Short History of Ireland, 1500-2000 by John Gibney The cover of A Short History of Nearly Everything by Bill Bryson The cover of A Short History of Nearly Everything by Bill Bryson The cover of A Shot in the Moonlight by Ben Montgomery The cover of Shutter by Ramona Emerson The cover of Siddhartha by Hermann Hesse The cover of Siddhartha by Hermann Hesse The audiobook cover of Sidetracked by Henning Mankell - a hand is holding a lit lighter illuminating the lower half of a blurry face beyond. The cover of Signal to Noise by Eric S. Nylund The cover of Silence of the Grave by Arnaldur Indriðason The cover of Silent Joe by T. Jefferson Parker The book cover of the original hardback version of Silent Spring by Rachel Carson: on a richly deep green background, the title and author's name are displayed. In the upper left, there are some light yellow wavy lines that suggest the surface of water, and out of that surface, a plant comprised of many wavy stalks is growing. The cover of Single & Single by John le Carré The cover of Singularity by Bill DeSmedt The cover of Sinister Graves by Marcie R. Rendon The cover of Sirens of Titan by Kurt Vonnegut The cover of Sirens of Titan by Kurt Vonnegut The cover of Six Easy Pieces by Walter Mosley The cover of The Sixth Extinction by Elizabeth Kolbert The cover of The Skeptics' Guide to the Future by Dr. Steven Novella , with Bob Novella and Jay Novella The cover of The Skeptics' Guide to the Universe by Dr. Steven Novella The cover of The Skull Mantra by Eliot Pattison The cover of Slaughter House Five, or, the Children's Crusade by Kurt Vonnegut The cover of Slaughter House Five, or the Children's Crusade by Kurt Vonnegut The cover of Sleeping Giants by Sylvain Neuvel The cover of Sleepwalk by Dan Chaon The cover of A Small Death in Lisbon by Robert Wilson The cover of Smart Mobs: The Next Social Revolution by Howard Rheingold The cover of Smilla's Sense of Snow by Peter Høeg showing a woman dressed in black with a red umbrella walking across a big snow landscape with a dark sky and a big moon on the horizon. The cover of Smilla's Sense of Snow by Peter Høeg The cover of Smokejumper by Jason A. Ramos The cover of Snow Crash by Neal Stephenson The cover of Snowleg by Nicholas Shakespeare Audiobook cover of So Far Gone by Jess Walter showing a black and white ink drawing of an idyllic rural scene: a river flowing through pine trees with hills rising beyond. But in the foreground is a sign along a two-track lane running into the scene reads, in stark red letters: TURN BACK NOW. The cover of The Soccer War by Ryszard Kapuściński The cover of Solito by Javier Zamora The audiobook cover of Somewhere Toward Freedom by Bennett Parten showing an old black and white photograph of a tattered covered wagon carrying a family of newly freed people. In front of the wagon, more newly freed people stand and sit. Behind the wagon and a little bit off in the distance are a blurry group of soldiers on horseback. The sky above has a few light clouds and has been colored soft blue. The cover of The Song of the Cell by Siddhartha Mukherjee The cover of Songs of the Gorilla Nation by Dawn Prince-Hughes The cover of The Soul of America by Jon Meacham The audiobook cover of The Sound of a Wild Snail Eating by Elisabeth Tova Bailey: a small, gray-brown snail with a brown spotted spiral tan shell is gliding across a gentle, pastel blue surface. The cover of South of the Border, West of the Sun by Haruki Murakami Book cover of The Space Between Us by Doug Johnstone showing multiple gracefully curving strands of black filament with a variety of colored circles amongst them and four larger black circles displaying the book title in white letters. The cover of Spaceman of Bohemia by Jaroslav Kalfař The audiobook cover Spaceside by Michael Mammay showing a futuristic all-terrain vehicle driving through a dense alien jungle. The cover of Sparks Like Stars by Nadia Hashimi The cover of Spinners by Anthony McCarten The cover of Spook Country by William Gibson The cover of The Springboard by Stephen Denning The cover of Sputnik Sweetheart by Haruki Murakami The cover of Spy Games by Adam Brookes The cover of The Spy Who Came in from the Cold by John le Carré The cover of The Spy's Daughter by Adam Brookes The cover of Stamped from the Beginning by Ibram X. Kendi The cover of The Stars My Destination by Alfred Bester Audiobook cover of the Canadian edition of Stolen by Ann-Helén Laestadius showing the title written in blood red capital letters on a snowy background and surrounded by a ring of reindeer antlers. The audiobook cover of A Stone Is Most Precious Where it Belongs by Gulchehra Hoja showing a representation of a series of mountain ranges in shades of blue, green, and purple with a blue sky beyond. The title is rendered in white capital block letters interspersed between the ranges. The cover of Stories of Your Life and Others by Ted Chiang The cover of The Story of Russia by Orlando Figes The cover of The Storm Is Here by Luke Mogelson The cover of The Storm Is Upon Us by Mike Rothschild The cover of The Street Sweep by Meron Hadero The cover of Strongmen by Ruth Ben-Ghiat The cover of Stumbling on Happiness by Daniel Gilbert The cover of The Sufis by Idries Shah The cover of The Sugar Mother by Elizabeth Jolley The cover of The Sum of Us by Heather McGhee The cover of Surface Detail by Iain M. Banks The cover of Surveillance State by Josh Chin and Liza Lin The cover of Survival of the Friendliest by Brian Hare and Vanessa Woods The cover of Surviving Autocracy by Masha Gessen The cover of The cover of The Swan Book by Alexis Wright, showing the gracefully curled neck and head of a black swan seen from the side on a dark gray background with the author's name in red and the title in orange superimposed over the swan. The cover of Sweet Taste of Liberty by W. Caleb McDaniel The cover of Switch by Chip Heath & Dan Heath Audiobook cover of System Collapse by Martha Wells showing a heavily armored figure kneeling in a field with some kind of crop growing and looking up at a gigantic, multi-armed, spider-like agricultural bot jumping by overhead.


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The cover of Talking to Strangers by Malcolm Gladwell Audiobook cover of Tao Te Ching by Lao Tzu, translated by Stephen Mitchell. Three smooth dark gray stones glistening with moisture are reflected on the smooth surface upon which they rest. The cover of The Tattoo Murder Case by Akimitsu Takagi The audiobook cover of The Teacher by Tim Sullivan showing the back of man dressed in a suit and carrying a briefcase walking towards a stone archway. Audiobook cover of Tell Me How It Ends by Valeria Luiselli showing the title, subtitle, and author's name printed on a background that looks like parchment. The cover of Tell No One by Harlan Coben The cover of Ten Arguments for Deleting Your Social Media Accounts Right Now by Jaron Lanier The cover of The Ten Faces of Innovation by Tom Kelley The cover of Ten Lessons for a Post-Pandemic World by Fareed Zakaria The cover of Termination Shock by Neal Stephenson The cover of Terra Nullius by Claire G. Coleman The cover of Terror and Liberalism by Paul Berman The cover of Thaddeus Stevens by Bruce Levine Audiobook cover of That Librarian by Amanda Jones showing her standing in front of a library bookshelf. She is a middle-aged white woman with brown hair, glasses, and a long, bright red sweater over a black t-shirt that reads: Support FReadom. Audiobook cover of Theft by Abdulrazak Gurnah: a stylized water color of three people of Tanzania in a room. A young man is standing looking to the left with his right hand raised to he forehead. Next to him, a woman in a long peach-colored jacket and orange pants is standing facing to the right with her own arm outstretched, holding what looks like a narrow, foot-long strip of paper with a pattern of black triangles on it towards a bearded man who is sitting on a bench. on his shoulder is the hand of one other person who is otherwise out of the scene. The cover of There Are Places in the World Where Rules Are Less Important than Kindness by Carlo Rovelli The audiobook cover of There Are Rivers in the Sky by Elif Shafak: against a background that transforms from a rich blue sky above to a rich green land below. In the lower third of the image, there are buildings stretching along a river, perhaps an ancient city along the Tigris-Euphrates river system. Over all of it, flowing down and across the entire image, is a golden flow of water. The cover of There There by Tommy Orange The cover of There's a Hair in My Dirt! by Gary Larson The cover of These Truths by Jill Lepore The cover of These Women by Ivy Pochoda The cover of Thicker than Water by Erica Cirino The cover of The Thing About Life is that One Day You'll Be Dead by David Shields The audiobook cover of The Third Policeman by Flann O'Brien: A bicycle leans between the door and corner of an old, deep-rust red brick building fronted by a cobblestone street. The cover of Thirteen Moons by Charles Frazier The cover of This America by Jill Lepore The cover of This Fight is Our Fight by Elizabeth Warren The audiobook cover of This Is for Everyone by Tim Berners-Lee: against a black background, a large circular track is displayed at an angle, wide in front and thin in thge far back. It is rendered in pixels, green on the left, red on the right, with some colored pixels wandering off away from the main track, and some black pixels in the main track. I'm guessing it is meant to represent the Large Hadron Collider at CERN. The cover of This Is Your Time by Ruby Bridges The cover of This Shape We're In by Jonathan Lethem The cover of This Will Not Pass by Jonathan Martin and Alexander Burns The cover of The Three-Body Problem by Cixin Liu Audiobook cover of The Three Ages of Water by Peter Gleick showing what looks like the surface of a beautiful blue body of gently flowing water. The cover of Three Farmers on their way to a Dance by Richard Powers The cover of Three Grams of Elsewhere by Andy Giesler showing a person walking across a prairie with the outline of a futuristic city off in the distance and a couple futuristic-looking drones flying overhead. The cover of Thunder & Lightning by Lauren Redniss The audiobook cover of Tiananmen Square by Lai Wen showing an image of a young woman, her face tinged red and framed by long dark brown hair, looking out back over her left shoulder. The image has the look as if it was spray painted onto a wall of square blocks and their are outlines of swallows flying past the painting. The cover of The Time of Our Singing by Richard Powers The cover of Time Reborn by Lee Smolin The cover of The Time Traveler's Wife by Audrey Niffenegger The cover of The Tin Roof Blowdown by James Lee Burke The cover of Tinker, Tailor, Soldier, Spy by John le Carré The audiobook cover of Tinker Tailor Soldier Spy by John le Carré showing an illustration of a hand moving a pawn on a chessboard. The cover of The Tipping Point by Malcolm Gladwell The book cover of To Be a Water Protector by Winona LaDuke is based on an illustration by Isaac Murdoch of the Thunderbird Woman. It is a mostly black and white illustration of a woman with wings for arms, a feather in her hair, and a red heart on her chest. She is standing amongst many stone eggs and bolts of lighting are radiating outward above her. The book cover of To Each This World by Julie E. Czerneda showing a variety of blue-tinged worlds floating within a thin rectangular grid pattern. The grid and the worlds get smaller as they disappear off into the distance at the center. The background is a deep, dark blue. The books title is displayed in large white centered capital letters. The letter O in the words TO and WORLD are formed from two of the blue-tinged worlds. The audiobook cover of Tokyo Express by Seichō Matsumoto: in a miminalistic style, a purple train is running across a bright green landscape. It's light casts a bright red beam ahead of it. Behind it, the to half of a bright red sun is seen above the green landscape. The sky beyond is black. The cover of Tokyo Ueno Station by Yu Miri The cover of Tomorrow Will Be Different by Sarah McBride The cover of Too Like the Lightning by Ada Palmer The cover of Too Much Coffee Man's Guide for the Perplexed by Shannon Wheeler The audiobook cover of Toward Eternity by Anton Hur giving a glimpse of a dimly planet and its moon as seen through a tangle of blossoms in an otherworldly garden. The cover of Travels in the Scriptorium by Paul Auster The cover of Travels with Herodotus by Ryszard Kapuściński The cover of Tree of Codes by Jonathan Safran Foer The cover of Tree of Smoke by Denis Johnson The cover of Triangulum by Masande Ntshanga The cover of Tribes by Seth Gordon The cover of The book cover of True Biz by Sara Nović showing a hand with green, red, blue, orange, and sage-colored digits, each with highlighted with a different pattern (zig-zags, dots, etc.). The hand is held in a fist with the index finger pointing up, which is the beginning gesture of the sign for the idiom true biz/true business, which, depending on context, can mean seriously, literally, deadass, no kidding, or real talk The cover of Turning by Tim Winton The cover of Twelve Years a Slave by Solomon Northup The cover of Twilight of Democracy by Anne Applebaum The cover of The Twilight World by Werner Herzog The audiobook cover of Twist by Colum McCann showing the various shades of blue of the ocean surface from the lightest blues at the tips of breaking waves to the darkest blues at the base of deep swells, but as seen through a kaleidoscope so that the patterns of the blue waters appear as symmetrical designs. The cover of Two Leaps Across a Chasm by Nikolai Aleksandrov The cover of Two O'Clock, Eastern Wartime by John Dunning


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The cover of Ubik by Philip K. Dick The cover of Unaccustomed Earth by Jhumpa Lahiri The cover of Unbowed by Wangari Maathai The cover of Under a White Sky by Elizabeth Kolbert The audiobookcover of Under the Sea Wind by Rachel Carson: a drawing in shades of green of a school of mackerels swimming in the sea. The cover of Underland by Robert Macfarlane The cover of Underworld by Don Delillo The cover of The Unheard by Josh Swiller The cover of The United States of Europe by T.R. Reid The audiobook cover of Unmasking AI by Joy Buolamwini. Against a black background, an is shown the illustration of the head and shoulders of a dark brown-skinned woman wearing white framed glasses and a bright red dress jacket. She is holding up a white face mask in front of half of her face so that the right eye opening of the mask aligns with her left eye. The audiobook cover of Upward Bound by Woody Brown: against a yellow background, the title is displayed in letters that are different shades of blue-green. In the center, hand-drawn railroad tracks coverse from the left and right until the meet in the center in a chaotic swirling. The cover of Usable Forms for the Web by Jon Stephens, Andy Beaumont, Jon James, and Chris Ullman The cover of The Use of Weapons by Iain M. Banks The cover of User Interface Design for Programmers by Joel Spolsky


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The cover of Vagabonds by Hao Jingfang The cover of The Vanishing Half by Brit Bennett The cover of Vbscript in a Nutshell: A Desktop Quick Reference by Paul Lomax, Matt Childs, and Ron Petrusha Book cover of Village in the Dark by Iris Yamashita showing an icy road leading off into the shadows with the dark outlines of pines trees lining the road and a cloudy sky dimly lit by a weak winter sun that is setting. The cover of The Visual Display of Quantitative Information by Edward R. Tufte The cover of Visual Explanations by Edward R. Tufte The cover of Voices by Arnaldur Indriðason Audiobook cover of Void Star by Zachary Mason. In the center in a white vertical strip, the title is displayed. On either side is a mirror image of what looks like horizontal lines of computer coded artifacts and what might be the outline of a head. The cover of Vurt by Jeff Noon


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The audiobook cover of Waiting to Be Arrested at Night by Tahir Hamut Izgil showing the glow of light faintly illuminating the outline of a partially opened door across a completely dark room. The cover of Waking Gods by Sylvain Neuvel The cover of Walkaway by Cory Doctorow The cover of The wall of the sky, the wall of the eye by Jonathan Lethem Audiobook cover of Wandering Souls by Cecile Pin: against a textured light gray background, four lines of light orange moons are displayed, showing the phases from new moon to full moon and back to new moon. One of partial moons in the top line and two on the bottom line show the outline of faces. The audiobook cover of War Is A Racket by General Smedley Darlington Butler displaying the title of the book in big, bold, capital letters against a blood red background comprised of images of U.S. dollar bills with missles launching on either side of the title. The cover of The Warehouse by Rob Hart The cover of Warmth by Daniel Sherrell The cover of The Warmth of Other Suns by Isabel Wilkerson The audiobook cover of The Way by Cary Groner featuring a watercolor painting in hues of gray and blue of a raven with its wings spread wide, its head pointed downward, and its feet outstretched as if it were coming down for a landing. The cover of The Way of Chuang Tzu by Thomas Merton The cover of The Way of Zen by Alan Watts The audiobook cover of We Are Eating the Earth by Michael Grunwald: on a bright orange background, a color image of our Earth is displayed as if it is printed onto a dinner plate that has been shattered into multiple pieces. The cover of We Have Always Been Here by Lena Nguyen Audiobook cover of We Refuse by Kellie Carter Jackson showing a black woman holding a rifle pointing slightly downwards with both hands, right hand's finger on the trigger. She is a full-length white dress that looks like it may be from the 1800s with a high neck and puffed shoulders. She has a very determined look. Audiobook cover of We the People by Jill Lepore featuring a 1903 illustration by Udo Keppler that shows Columbia, a depiction of liberty, standing with her right arm raised straight up, holding in her raised right a large balance scale labeled Constitutional Amendment. A long sword labeled Centralized Governement rests across both balance bowls. In the original illustration, she is standing on an Earth globe on a land mass labeled United States. Behind her is a cloudy blue sky. The audiobook cover of We Will Be Jaguars by Nemonte Nenquimo & Mitch Anderson showing a photo of Nemonte looking upwards with a fiercely determined look. She has red pigment from achiote seeds painted across her eyes. Behind her can be seen the sun-drenched green leaves of jungle foilage. The cover of Weapons of Math Destruction by Cathy O'Neil The cover of Web Design in a Nutshell, 2nd Ed. by Jennifer Niederst The cover of West with the Night by Beryl Markham The cover of West with the Night by Beryl Markham Audiobook cover of What Does Israel Fear From Palestine? by Raja Shehadeh with the title presented in large, plain, capital letters against a pale yellow background. The cover of What is the What by Dave Eggers The cover of What Next: A Memoir toward World Peace by Walter Mosley The cover of What Strange Paradise by Omar El Akkad The cover of What the Dog Saw by Malcolm Gladwell The audiobook cover of What the Ermine Saw by Eden Collinsworth showing a somewhat blurred view of the painting The Woman with an Ermine by Leonardo da Vinci that is cropped to focus on the white ermine held in the woman's arms. The cover of What to the Slave Is the Fourth of July? by Frederick Douglass The cover of When the Levees Broke by Spike Lee The cover of When the Sparrow Falls by Neil Sharpson The cover of When They Call You a Terrorist by Patrisse Khan-Cullors and Asha Bandele The audiobook cover of When We Were Real by Daryl Gregory showing a landscape rendered in shades of red. A flat plain stretches into the distance bisected by a black winding road that ends at a tunnel in a range of darker red hills on the horizon. On each side of the road are fluffy white beings, sort of like clouds with four legs, which look kind of like sheep without discernable heads. A yellow sun is just setting into the hills, above which is a vast red sky with fluffy white clouds, similar in shape to the sheep-like beings. A thin crescent moon hovers above it all. The cover of Where Do We Go From Here by Martin Luther King, Jr. The cover of Where Good Ideas Come From by Steven Johnson The cover of Book cover of Where the Fruit Falls by Karen Wyld. A beautiful stylized fruit tree with a bird flying above it is shown in front of a deep orange background with a river zigzaging across it. Audiobook cover of Where the Line Is Drawn by Raja Shehadeh featuring an illustration of stalk of some kind of wild grass, behind which are two hills rendered by scores of curving delicate lines drawn in shades of brown and tan. A turquoise blue sky rises above the hills, also rendered by scores of curving delicate lines. The audiobook cover of Where They Last Saw Her by Marcie R. Rendon showing the image of the face of a young Indigenous woman rising out of the mist of a dark forest. The cover of The White Bone by Barbara Gowdy The cover of White Butterfly by Walter Mosley The cover of White Fragility by Robin Diangelo The cover of The White Girl by Tony Birch Audiobook cover of White Holes by Carlo Rovelli showing three white holes of varying sizes that are glowing at the very edges with thin bands of blue, green, and yellow, all against a black background. The audiobook cover of The White Lioness by Henning Mankell - a view of the front of a handgun with a bunch of bullets scattered in front of it. The cover of The White Nile by Alan Moorehead The audiobook cover of Who Knows You by Heart by C.J. Farley showing a determined looking Black woman with natural hair pulled back and folded arms. She is turned slightly away and is looking out over a city crowded with skyscrapers, all tinged green. Above them and beyond her is a sky that ranges from transparent pink on the left and fading into transparent magenta, green, and finally yellow on the right. There is a horizontal and vertical grid of faint white lines with white dots at the corners, suggesting it is a computer-generated image. The cover of A Whole New Mind by Daniel H. Pink The cover of The Whole Shebang by Timothy Ferris Audiobook cover of Whose Names Are Unknown by Sanora Babb: a black & white photo of a forlorn old farmhouse with a single tree growing on each side and otherwise completely surrounded by fields with straight furrows going right up to and past the house porch. The book cover of Why Intolerance and Extremism Happen by Teri Kanefield shows two famous bronze statues against a blue background. On the left is Lady Justice, a blindfolded woman holding a scale in her extended left hand, personifying the moral force in judicial systems. On the right is The Thinker by Auguste Rodin, a man seated on a large rock, leaning forward with his left forearm resting on his left thigh, his right elbow perched next to his left forearm, and his chin perched upon the back of his right hand, personifying deep thought and contemplation. The cover of Why Not? by Barry Nalebuff & Ian Ayres The cover of Wiki Web Collaboration by Ebersbach, Glaser, and Heigi The cover of Wikinomics by Don Tapscott and Anthony D. Williams The audiobook cover of Wild Chocolate by Rowan Jacobsen: against a vivid red background, a large (about 7 inches / 18 cm long by 4 inches / 10 cm wide), elongated light yellow-orange cacao pod is displayed filling most of the cover. Below the pod is the tiny outline of a traditional boat with a person standing at the front as it makes it way up a river. The cover of A Wild Sheep Chase by Haruki Murakami The cover of The Wild Trees by Richard Preston The cover of The Wind Done Gone by Alice Randall The cover of The Wind-Up Bird Chronicle by Haruki Murakami The cover of Winners Take All by Anand Giridharadas The audiobook cover of The Winter Warriors by Olivier Norek: A black sky fills the top thirds of the scene, against which the title is displayed in white letters and the author's name in red letters. Below the sky is a forest of snow covered pine trees. In front of the forest is a white, snow-covered plain. The cover of The Wizard and the Prophet by Charles C. Mann The cover of The Woman in the Dunes by Kobo Abe The cover of The Woman Who Smashed Codes by Jason Fagone The cover of The cover of The Workbench Book by Scott Landis The cover of Workin' on the Chain Gang by Walter Mosley Audiobook cover of World Eaters by Catherine Bracy showing a series of five Pac-Man-like figures (a circle with a pie-shaped wedge cut out that is the mouth), each one to the right is smaller, so each one appears to be about to eat the smaller one to the right. Instead of the traditional yellow color, each of them is plastered with the left eye and face of Benjamin Franklin from the $dollar;100 bill. The cover of The cover of The World Without Us by Alan Weisman displaying in the top half a city of skyscrapers shown in dark gray against a polluted-looking tan sky that transitions to white above, with the words THE WORLD in white over the dark gray of the cityscape. The bottom half is an upside forest, as if a reflection of the skyscrapers above, shown in dark green against a background of pale green transitioning to white below, with the words WITHOUT US in white over the dark green of the forest. The audiobook cover of The Worlds I See by Fei-Fei Li showing a person standing on the edge of a sliver of dark landscape with the first light of dawn on the horizon and a sky full of stars above. There are lines of light joining many of the stars.


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The cover of The book cover of Yonder by Jabari Asim showing a stylistic painting of four black people in yellow, green, red, and off-white clothing leaping, flipping, and cavorting in a joyous manner above a tan and brown earth and in front of a pale blue sky. This roughly circular painting is portrayed against a bright orange background. My guess is that this represents a dance in celebration of freedom. The cover of You Don't Know What War Is by Yeva Skalietska Audiobook cover of Your Face Belongs to Us by Kashmir Hill showing the outline of a human head that has been defined by a series of intersecting lines, such as what is done when a computer defines a 3D object. The cover of Zed by Joanna Kavenna The cover of Zen and the Art of Motorcycle Maintenance by Robert Pirsig The cover of Zen Flesh, Zen Bones by Paul Reps The cover of The Zero by Jess Walter The cover of Zodiac by Neal Stephenson


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