Recipe for contentment
A small shop, a stack of lumber, the fragrance of wood in the air.
I've spent a lot of time looking for and reading online tool reviews, and I often find myself wishing there were more personal reviews by amateur woodworkers around, so here are mine. These aren't reviews in the sense of comparing several of the same tool; rather, I'm just sharing some thoughts about the tools I appreciate using: Woodworking tool reviews.
A passionate weekend woodworker
I love wood above all other materials, and I love simplicity and quality. The few times I've wandered into furniture stores I've either had an allergic reaction to the shoddiness of manufacturing in evidence or just plain sticker shock, so in most cases I've opted to make my own simple stuff. Because I love books, much of what I've made has been bookshelves. I also love shoji lamps and polyhedron shapes, so that's been another focus. And I've made a variety of other things: desks, end tables, book stands, bed platforms, a large oak cabinet for my sweetheart's business (she's an herbalist and hand makes a line of natural skin care products called Wild Sage Botanicals), and so on.
I've tried a lot of different tools over the years. One lesson I learned—unfortunately the hard way—is to always buy quality tools if possible, even if they cost far more than cheaper versions. Sometimes I've really had to stretch to buy some of my tools, but I've never regretted it. Quality tools provide two things that cheap tools often don't: accuracy and longevity. In some cases, they're also safer. And it's simply a pleasure to hold and use a tool that has been designed and made with care.
On the other hand, tools are just tools
While I think buying quality tools is a good idea, I don't think a lack of quality tools should stop anyone who is interested in woodworking (it didn't stop me when I was getting started). Quality tools make it easier to do good work, but they don't make it possible to do good work. That comes from desire and practice.
When I lived in India 20 years ago, I watched barefoot woodworkers who had only a few shoddy hand tools sit on the ground and turn a pile of rough-sawn rosewood into beautiful and precise window casings. It took them a really long time (weeks to do the store front I watched them do), but they were obviously practiced at their craft and could do things with their poor hand tools that I still struggle to accomplish with an indoor shop, a workbench, and quality power tools.
An interesting mix of tools
My collection of tools is a bit unusual. My hobby for many years has been making shoji lamps. This requires a lot of small hand tools—micro clamps, small hand saws, a hand miter saw, mini sanders, and so on—as well as some power tools like a band saw, planer, miniature drills, and a palm sander.
Here's an older series of photos showing a lamp making project using these tools.
In 1999, we purchased a beautiful piece of property that came with a beat up house needing full remodeling.
Having grown up with a hammer in my hand in a house that my father remodeled as we lived in it, I already knew a lot of the necessary skills, but needed to get an additional set of tools to work on the house and build some of the furniture for it, such as circular, table, and electric miter saws, bigger sanders, routers, and so on.
Here's a newer series of photos showing a furniture making project using these tools.
Recently, I've been preparing to do cabinetry work, so I've added some bigger tools: a cabinet saw, a larger bandsaw, a drill press, a dust collector, and a small jointer so that I can handle rough sawn wood (there are a couple nearby places that specialize in local woods that I'd like to take advantage of, including TC Woods in Fort Lupton, Colorado, which specializes in beautiful salvaged woods).
Finally, though I love using power tools, I've begun acquiring more hand tools, hoping that someday I'll have more time to spare and can slow down a bit to explore working by hand more.
Finding tools is a challenge, especially living in a somewhat rural area as we do. We have a wonderful local hardware store, but I often have to reach beyond it to find exactly what I'm looking for. The most delightful outcome of my online explorations has been finding a handful of individual craftspeople and small businesses who are making incredible tools; I've also stumbled across some good general online tool sources: Sources.
Being an avid reader and having an incurable stubborn streak that manifests in a determination to teach myself everything, I often turn to reading to glean clues about how to proceed. In my quest to learn woodworking I've come across some wonderful books and woodworking-related websites (as well as a few videos) that contain a wealth of knowledge: Learning woodworking.
Looking forward to weekends
I'm finally returning to my hobby of making shoji lamps, which I set aside for several years to focus on remodeling our home and making furniture for it. This is a fairly significant milestone in my life, a good time to take a step back and think about where my journey has brought me: Is it worth it?
A glimpse of my current woodworking project
The Windtraveler shoji lamp
Late 2014. Although I'm still working on the final steps of the Pentafleur lamp, I've already begun thinking about a lamp in the shape of the Catalan deltoidal hexecontahedron (also known as the Trapezoidal hexecontahedron), which is made up of 60 deltoid-shaped faces. It's the dual of the last lamp I made, the Pentafleur, which is in the shape of a rhombicosidodecahedron.
I really love the deltoid shape. One of my earliest lamp shade projects was a pair of shoji screens in the shape of kites that I used as shades for a pair of lamps hanging in the corners of a room. I still have one of them hanging in my workshop because its shape inspires me.
I like the way you can put three of these deltoids together to form a triangle, or five of them together to form a pentagon. Or 60 to form this deltoidal hexecontahedron! And, of course, I love the relationship the deltoidal hexecontahedron has to the icosahedron and dodecahedron.
I also like the way it contains a decagon, and the playfulness of its 5-fold symmetry, as revealed in this animated gif:
Spring 2015. Aha! It has been a few months since I finished the Pentafleur, and suddenly I find myself thinking about the Windtraveler more often. Guess it's time.
First step: figure out the numbers. I want to create a lamp similar in size to the Pentafleur, so the long edges should be 6" in length. Since the ratio is 1.54:1, the short edges will be 3.9" or just a sliver shy of 3-29/32".
- Dihedral: 154.1°
Cut angle: 77.1° or 102.9°
- Between short and long edge: 87.0°
Cut angle: 43.5° or 136.5°
Using a 45° jig: 1.5° or 91.5°
- Between short edges: 118.2°
Cut angle: 59.1° or 120.9°
- Between long edges: 67.8°
Cut angle: 33.9° or 146.1°
Using a 45° jig: 11.1° or 101.1°
- Sketchpad file
- 60 faces
- 120 total shared edges
- 240 total frame edges: 120 long (6") and 120 short (3.9")
- 99 feet of frame
- 62 vertices:
- 12 with 5 shared edges meeting
- 20 with 3 shared edges meeting
- 30 with 4 shared edges meeting
Thinking about kumiko variations:
Okay, now all that's left is to make it!